Partituras descargables de Schott: Flexibilidad para su música

As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...

Barbara Heller's duet 'Herbstmusik' [Autumnal Music] for cello and piano is a short piece of 5-6 minutes' duration which is as vibrant and colourful as the season itself and a welcome addition to the...

Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...

The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on th...

Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight...

Sebastian Lee ist heute hauptsächlich wegen seines Unterrichtswerks für Violoncello bekannt. So gehören die 40 leichten Etüden opus 70 und die melodischen und melodisch-progressiven Etüden (opus 113 u...

Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early...

Commissioned by the Concertgebouw Brügge and the London Wigmore Hall, this work was written in 2014. It is dedicated by Olli Mustonen to the outstanding British cellist Steven Isserlis who also perfor...

Eine frühe Komposition von Aribert Reimann: Das knapp vierminütige Werk für Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschien...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist...

The Sonata in G major Op. 1/3 is commonly attributed to Giuseppe Sammartini; however, it now known to be the work of Martin Berteau. This edition presents the fourth movement, an 'Amoroso Rondeau' wit...

The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned...