Partituras dificil de M.P. Belaieff

This book contains Silvestrov's hitherto only works for solo violoncello created after 2000. The cello is one of the central instruments in the composer's oeuvre. In several works, he has managed to p...

En la década de 1980, Raskatov había experimentado con un sistema de signos auditivos en desarrollo -llámese "lingüística" de la música-, como la manera poliestilística de Schnittke y diversas técnica...

In the 1980s Raskatov had experimented with a developing aural sign system - call it the "linguistics" of music - such as the polystylistic manner of Schnittke, and various minimalist techniques. At t...

Though Silvestrov's 'Elegy' for cello and two tam-tams continues the series of his earlier elegy compositions in some ways, it is here given a whole new shape, with the cello being accompanied by two...

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

The work Path (1987) unfolds so to say from top to bottom. The descending line is metonymic with the path through life - from birth to grave. The beginning flageolets of the cellos and the simple moti...

Duo (after Ossip Mandelstam) refers to a short poem from his 1910 collection Kamen (Stone), which underlies my piece: not only is this poem its epigraph, it is also quoted metrically throughout in the...

Wustin's work ' Prinoshenye' (offering) is dedicated to Gidon Kremer 'in memory of Dmitri Shostakovitch' and was premiered at the Vienna Konzerthaus in 2005. What we know of Shostakovitch - the scherz...