Partituras dificil para Big Band

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Originally from Verdi's Il Trovatore, Anvil Chorus was a big hit for the Glenn Miller band, thanks to the fabulous arrangement by Gerry Gray. We have faithfully restored the original version here, com...

Many bands played Jersey Bounce, and the two most remembered are those from the Miller and Goodman Orchestras. This is the Benny Goodman version, meticulously transcribed by Alan Glasscock. For us it...

Serenade In Blue is another classic from the Glenn Miller Orchestra with the Modernaires, and Alan Glasscock's transcription is a true reflection of the original.The chart is written for Male vocalist...

This is our transcription of Glenn Miller's 'Jukebox Saturday Night', scored for big band and a 5 piece vocal group (Girl & 4 Boys). It is as played by Miller, except that we have included the full 10...

Here is Frank Sinatra's take on The Best Is Yet To Come, as recorded with the Count Basie Orchestra under the direction of Quincy Jones. This chart is a real Sinatra trademark, and of all the singers...

Well, we just had to have an arrangement of Lush Life in our catalogue, and here is our favourite. This version is an out-and-out Trumpet feature from the Harry James book. It is as the name suggests...

Ella Fitzgerald recorded this song many times in her career, and we offer you what we feel to be her finest version, from the 1960 Billy May collaboration album 'Sings the Harold Arlen Songbook'. This...

Transcribed by Jon Harpin from the original Billy May arrangement, this is Frank Sinatra's version of the Gershwin classic. The chart is scored for 5444, and we have written the original string lines...

Bob Carleton penned a little 16 bar tune in 1918, whilst still a club pianinst in Illinois. The tune was briefly famous, then spent 35 years in obscurity until Sonny Rollins 're-invented it' using the...

Corner Pocket was written by the unsung hero of the Count Basie band, Freddie Green, and it's title is a reference to the place that Green called his own - the corner pocket of the rhythm section. We...

Here is Glenn Miller's Chattanooga Choo Choo in all its glory. This is the extended version from the film Sun Valley Serenade scored for Boy & Girl vocal with 4-piece backing group and it is four and...

Drum Boogie was a big hit for the Gene Krupa band, featuring Irene Daye on vocals (rather than his regular Anita O'Day). We have made a couple of minor changes to the original - the reeds are now AATT...

As recorded by the Stan Kenton Orchestra on 'Live at the Tropicana'

This is a new edition (Finale computer notation) of this wonderful composition. It is available with a full score for the first time. Exactly as recorded by the Stan Kenton Orchestra on the Kenton '76...

Recorded in 1954 for the recording Kenton Showcase this chart is an alto saxophone feature throughout. It was originally recorded by Lee Konitz. Yet another wonderful Holman feature chart. (condensed...

Another amazingly futuristic piece from Rugolo's great mind. An outstanding example of the classical side of the late '40's Kenton bands written in 1947. A great (unusual) addition to any Kenton progr...

Originalarrangement von der CD 'In A Personal Mood'

Arreglo original del CD 'Swing it! - Vol. 2'