Partituras fácil para Coro mixto

This uplifting spiritual is set with authenticity by Roland Carter for SATB voices and a tenor or soprano solo. Jeffrey Redding Choral Series.

This lovely a cappella setting of Thomas Dorsey's Precious Lord holds true to the simple, beautiful arranging style of Roland Carter. A true classic.

Roland Carter's beautiful arrangement is simple and sophisticated. Acheivable by many levels with great impact.

Roland Carter's gift for capturing the authenticity of the spiritual is shown here in this beautiful arrangement. For SATB voices with no divisi, this arrangement is suitable for church and concert.

This work song portrays the conditions in which African Americans found themselves living and working during the post Civil War reconstruction. Written in a call-and-response style with rhythms that i...

A straightforward and impactful setting of the traditional spiritual by Roland Carter. Jeffrey Redding Choral Series.

A straightforward and accessible setting of this spiritual by Roland Carter.

Hheshe is an indigenous greeting by the Zulu people from South Africa. It celebrates and embraces life and the blessing of seeing one another everyday. Tremendously fun and festive!

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

Three-Part any combination Chorus, with Descant (or Solo), Recorder, Shaker and Drum This great little song combines two Native American musical themes in a delightful approach. The setting lends itse...

Richard Smith's arrangement of this familiar folk song is perfect for a secondary chorus

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The piece starts with unison women and then is followed by four-part men,...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The melody skips from part to part and has with challenging rhythmic sect...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. Set at a quick tempo, the humor is highlighted by a variety of musical de...

Phil Olson indicates that this American folk song has Irish roots and that the names found in the work are taken from the muster rolls and casualty list from the battle of Bunker Hill. A great contest...

A concert piece for secondary chorus, with piano duet from Three Scottish Folksongs. Also available: O Whistle And I'll Come To Ye (HMC649) and My Love's In Germany (HMC670)

This sensitive, authentic arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, an...

This sensitive, authentic arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, an...

I Will Arise comprises vocal lines which may be divided among the chorus according to voice range-with melody, harmony and descant designations. Be Thou My Vision has a dimension of an 'entreaty' to t...

I Will Arise comprises vocal lines which may be divided among the chorus according to voice range-with melody, harmony and descant designations. It might be possible to perform this song with either j...

Be Thou My Vision has a dimension of an entreaty to the Lord, as if asking for the Lord's presence to be there at all times. Thus, the phrase 'Be Thou' repeats as a background during the singing. Even...

Standin' in the Need of Prayer is a lively tune in swing rhythm. New words are added within the lighthearted approach. It becomes evident during the singing that the choir feels that they are in the g...

This setting of the Ave Maria text has the flavor of a folk song with flowing choral lines.