Partituras fácil para Coro mixto

Ab 50 Stück 15% Rabatt; für 4- bis 5-stimmigen Chor

O nata lux begann seine Existenz als ein Stück geschrieben für Männerstimmen im Rahmen eines Komplet-Gottesdienstes am Pembroke College in Cambridge. Dort versuchte Lapwood in ihrer Funktion als Direc...

This anthology of 9 mixed-voice anthems combines new material written specially for the collection with established favourites from the Oxford catalogue, some of which appear here for the first time w...

Arreglo para coro mixto a cappella. Los símbolos de acordes notados ofrecen la oportunidad de interpretaciones creativas alternativas.

Written in the Renaissance madrigal style, this is a real change of pace for the developing choir. It is crafted to be sung a cappella but if your choir isn't ready for that yet there is a piano part...

These five anthems, covering 130 years, are all mainstays of the British church and cathedral choir canon. Attwood, a pupil of Mozart, avoids the overtly florid, quasi-operatic verse anthem solos that...

Brian Tate is a Canadian composer who also conducts a gospel and multicultural choir. His arrangements have become immensely popular, year after year. This one will not disappoint. A cappella voices a...

15 moving songs from South Africa arranged for four-part voices, complete with a foreword, musical instructions, illustrations and commentary. Available: SATB, Book/Cassette Package, CD.

From the collection Freedom Is In Your Hand, this authentic South African freedom song is at home in multicultural concert settings. Great base for vocal improvisation. In Xhosa and English.

Meditative and pensive, a short choral recitative that sensitively expresses Edna St. Vincent Millay's magnificent poem musing on the beauty of the natural world.

This beautiful, unique arrangement of the famous air collected by J. S. Bach features an inspiring text which translates as If you are with me and works well in both secular concert and sacred context...

This edition of the famous Mendelssohn chorus from Elijah is designed for a younger or less experienced choir that wants to go to contest! Available for 3-Part Mixed and SSAB. VoiceTrax CD also availa...

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires o...

Here's a great introduction to the music of Moses Hogan for developing choirs. This spirited setting of the favorite spiritual for a cappella mixed voices is easily learned and rhythmically accessible...

The favorite children's song gets a bit of a bluesy treatment in this setting that is easily accessible by many choruses. Features a baritone solo.

All the brilliance and virtuosity you've come to expect in a Moses Hogan spiritual are included in this exciting and dramatic setting. Keep your hand on that plow - hold on! Avaiable for SATB div. a c...

All the brilliance and virtuosity you've come to expect in a Moses Hogan spiritual are included in this exciting and dramatic setting. Keep your hand on that plow - hold on! Avaiable for SATB div. a c...

Come Emmanuel is a wonderfully expressive spiritual for the Advent season for SATB voices a cappella.

The spiritual I Couldn't Hear Nobody Pray, arranged by Hall Johnson for 4-part chorus of mixed voices with Soprano and Tenor soloists.

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

The choral ensemble creates a spare and stark vocal atmosphere with steady, pulsating vocal effects as the solo lines emerge from the texture. First Soon ah will be done and then I wanna die easy, whi...

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.