Partituras fácil para Coro mixto

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

TaReKiTa es una refrescante pieza de concierto que mezcla sin esfuerzo los estilos clásico indio y occidental. Los scats del compositor se combinan con un rápido compás triple, deslizamientos vocales...

This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment. Also available in a version for SSAA...

This a beautiful and meditative setting of a translated text from Carmina Gadelica, a collection of Gaelic hymns, prayers, and other texts. With gentle suspensions and exquisite harmonies, this anthem...

With a text by John Henry Newman, Lead, kindly Light is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darknes...

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charism...

This is an expressive setting of Sara Teasdale's poem 'Peace', with lush, rich harmonies and a soft dynamic palette. Poignant and peaceful, and perfect for choirs who enjoy refining blend and ensemble...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

Let all the world in ev'ry corner sing is an upbeat setting of a hymn text by seventeenth-century English poet George Herbert. Chilcott uses irregular metres, syncopation, and dancing melodic shapes t...

A beautifully simple setting of familiar words by Langston Hughes, Bring me all your dreams showcases Harris's effective homophonic writing and rich harmonic palette. The piece is incredibly atmospher...

A Birthday sets a poem of the same title by Christina Rossetti. Chydenius reflects the vivid imagery in the text of the verses through beautiful vocal lines with swirling countermelodies. The choruses...

This song skillfully blends a classic poem, Christina Rossetti's Uphill, with a relaxed, lightly jazzy style. Expanding from three- to six-part harmony, the chordal texture allows for strong annunciat...

echo es una celebración musical de la conectividad humana. Es cantable, potente, rítmica y contemplativa. Wong refleja en su música y su texto la idea de que "la reunión de muchos cantantes en un mism...

Esta breve oración vespertina de James Whitbourn recoge un fragmento del Libro de Oración Común. Escrita para el Coro del Harris Manchester College, Oxford, es una meditativa petición de la protección...

In Quiet Peace contiene tiernas palabras del compositor, Tristino Ali, que reflexionan sobre la calma que se encuentra cuando se pasa tiempo a solas con Dios. Con partes escritas de forma accesible y...

Guárdame como a la niña de los ojos es una obra sacra tranquila y meditativa, apta para ser interpretada durante todo el año litúrgico. Extraído del Salmo 17, el texto es una súplica de refugio y prot...

Con un texto de Thomas H. Troeger, esta pieza profundamente expresiva explora la noción de compañerismo y resistencia en tiempos difíciles. La melodía lírica y reconfortante se sitúa sobre un lecho de...

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

Ben Ponniah started singing at St Mary-le-Tower Church in 1990 when he was six years old. John Cooper was the Organist and Director of Music at the time, followed by Michael Nicholas. Seeing the star...

3 leichte Chorlieder - Nr. 3

A short, simple setting of a poem by Julia Darling which builds to a climax to the words "we all matter". Originally composed for youth singers and first performed at BBC Proms concert from Sage Gates...