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Compared to What arranged by Mike Kamuf has a straight-eighth groove played around 148 BPM with a distinctive Les McCann flavor. Written solos provided for tenor 1 and trumpet 2, unison sax lead lines...

Compared to What arranged by Mike Kamuf has a straight-eighth groove played around 148 BPM with a distinctive Les McCann flavor. Written solos provided for tenor 1 and trumpet 2, unison sax lead lines...

This superb chart covers all the bases! Played around 148 BPM with a suggested written tenor solo, and lead trumpet range to written G on top of the staff. A swinging intro gives way to a circus-like...

Based on a generic cell phone sound, this clever calypso chart sounds great around 150 BPM. Trumpet 1 range is to written G on top of the staff, and a suggested written-out solo is provided for alto 1...

Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a...

Wow! This terrific chart is inspired by the iconic Clark Terry version featuring two trumpets with plungers. A swing chart played around 112 BPM with sample solos provided for tenor 1 and trumpet 2, a...

A medium-up swing played around 140 BPM, the melody is initially stated by saxes with a stop-time feel, building into optional suggested solos for trumpet 2, alto 1, tenor 1, and trombone 1 followed b...

A medium-up swing played around 140 BPM, the melody is initially stated by saxes with a stop-time feel, building into optional suggested solos for trumpet 2, alto 1, tenor 1, and trombone 1 followed b...

Classic Basie-style medium swing fits this excellent chart. The suggested tempo is 118 BPM, and the lead trumpet range is to written G. Solos are provided for alto 1 and trumpet 1, and the usual optio...

Classic Basie-style medium swing fits this excellent chart. The suggested tempo is 118 BPM, and the lead trumpet range is to written G. Solos are provided for alto 1 and trumpet 1, and the usual optio...

A gorgeous even-eighth treatment of a poignant yet powerful melody you'll love. Trumpet 1 takes the written melody line, plus a few brief suggested solos for alto, trombone, tenor, and trumpet are pro...

A gorgeous even-eighth treatment of a poignant yet powerful melody you'll love. Trumpet 1 takes the written melody line, plus a few brief suggested solos for alto, trombone, tenor, and trumpet are pro...

La pieza Hawaiian Beat, del compositor checo Jirka Kadlec, es una obra viva y enérgica inspirada en el ambiente festivo y soleado de las islas hawaianas. A través de ritmos llamativos y melodías liger...

This collection of short exercises is a follow-up to last year's popular Warm-ups for Beginning Jazz Ensemble. Covering a wide variety of styles, the exercises include Chorale, Ballad, Laid Back, Kill...

This collection of short exercises is a follow-up to last year's popular Warm-ups for Beginning Jazz Ensemble. Covering a wide variety of styles, the exercises include Chorale, Ballad, Laid Back, Kill...

Who says being in the doghouse is no fun? This phenomenal work fuses boogie-woogie and shuffle into a chart with a unique style and attitude. The opening piano groove grabs the listener and sets the p...

Who says being in the doghouse is no fun? This phenomenal work fuses boogie-woogie and shuffle into a chart with a unique style and attitude. The opening piano groove grabs the listener and sets the p...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...