Partituras medio de Advance Music

Klezmer Diptych, a solo for clarinet with piano accompaniment, features two contrasting traditional klezmer tunes. Originally played at weddings, Mazl Tov Shver un Shviger (Congratulations to the In-l...

Tarnov Suite, an original composition for clarinet quartet is strongly influenced by klezmer music. The piece consists of an introduction, Doïna, followed by a humorous and nostalgic waltz and conclud...

This suite in three movements for clarinet ensemble is based on two traditional klezmer themes, Itamar Freilach and Hershel and on an original composition, Doumka's Freilach. The suite can be played w...

Klezmer is the Yiddish word for musician. Nowadays, however, it refers to Jewish traditional music in general. Klezmer music originated from Eastern Europe, where it played an important part especiall...

A true big band classic, for the first time available in print. Originally recorded by the Thad Jones/Mel Lewis Jazz Orchestra on Solid State.Woodwind doubles: alto 1 and 2 double on flutes; tenor 1 a...

Burungkaka is an Indonesian folk song which is known throughout Malaysia. It is about an old parrot which sits near the window, singing. The children make fun of it in a good-natured manner. Originall...

Loose Your Life Life (And It Will Surely Find You) features the tenor saxophone in a gospel-flavored 7/4 funk piece which has roots in my youth, growing up in a family in which my father was a penteco...

A dreamy blues theme-reminiscent of Duke Ellington-with variations. The sections between the variations feature each performer in a solo which further develops the thematic material.

Bb-Flat-A-Loogoo is a boogaloo to be played in straight eighths. It has the form of a classic 12-bar blues and is written in Bb concert pitch, a key most frequently used in sessions. Solo parts may be...

Funk-A-Lot' is based on an old Hungarian traditional. The performance of the melodic part should be rhythmically accurate - and, mostly, very short. Many of the notes contained herein require a clean...

Shuffle, Shuffle is a 24-bar blues featuring a slightly extended harmonic structure. It should be played in a ternary feel and very groovy. The virtuous phrases sound best if they are interpreted in a...

This is the statement for the Blues: Slow, laid back and soulful, with all the rich textural colors and interplay found in the writing of Clare Fischer, this little blues is easy to play and a treat t...

Uptempo even eighth piece, arranged for SATB saxophone quartet by the musical director and arranger of the Mingus Big Band. Medium advanced While on a concert tour Joe Lovano visited the ancient city...

Cuel Bloo is a piece that, in the first place, is meant to be a lot of fun. The composition based upon simple motifs should be performed in triplets and sounds best when played in a relaxed yet concen...

Trajectory explores all facets of the saxophone quartet sound in dense, choral-like harmonies as well as alternating voice combinations. Musical dialogues and improvisation open up a field for intense...

Reflects the composers reactions to travelling through the Berlin Wall on his first European tour. Advanced

3-movement through-composed blues suite. Medium advanced

Slow funk.

Medium swing, based on the chord changes of 'Pennies from Heaven'. A refreshing change for players and audience alike. Medium Grade.

Swing-blues feel, includes a written alto solo.

Bulgarian Bat Bite was written in 2003 as a commission by the Quartetto Italiano di Clarinetti. It is an adaption and expansion of the composer's 1992 duet, Khyberian Catfit, which is included in his...

This rhapsody, based on Eastern European music and Klezmer, contains four main themes: a waltz, a dance on asymmetrical rhythms, followed by a slow but expressive movement, a brilliant finale with Med...

A Klezmer Wedding is a set of four dances, newly-composed but based on traditional models. The Doina is an expressive chant for three successive soloists; it twists and turns with the wailing lament o...

The arrangement was commissioned and recorded by Prisma (members of the Vienna Philharmonic and Vienna Symphonic Orchestras). It can also be heard on That's Brass (Oculus Brass Quintet, FMCD 90101). M...

After initially introducing the theme in a mere 'cloud of sound', the piece, then, starts off in a Cajun/New Orleans groove. All the voices have their solo spots. More and more independent voices join...