Partituras medio de Chester Music

Constant Lambert was greatly influenced by the music of the great Duke Ellington, and in particular by Florence Mills, star of the interracial revue From Dover Street to Dixie and of her own all-black...

Gigue was the first major Piano work composed by William Busch in 1923. Gigue showed incredible skill and virtuosity for a composer who at the time was on 22 years old.

Allegretto Quasi Pastorale was written in 1933 by William Busch, following a successful concert tour to America. This piece was written during a more creative period in Busch 's life where he also pro...

Theme, Variations And Fugue is William Busch 's most well-known work for solo Piano, admired by Gerald Finzi and Bernard van Dieren amongst others. Theme, Variations And Fugue was first performed in M...

Brass Ensemble Score to George Frideric Handel's Music For The Royal Fireworks. Edited by Elgar Howarth.

Raymond Premru was for many years the principal Bass Trombone of London's Philharmonia Orchestra as well as having been a member of the Philip Johnson Brass Ensemble, an active jazz musician, teacher...

This is the 1954 version for equal voices with accompaniment of four horns and with Russian text in both Cyrillic and transliteration.

First performance on 20th November 2007, at St George's Hall, Liverpool, by Nicholas Cox (Clarinet) and the Chilingirian Quartet, as part of the Rodewald Concert Series.

Written for two clarinets and soprano. It was first performed on the BBC's Pebble Mill on 20 November 1992 by Mary Wiegold and members of the composers' ensemble as part of a concert in aid of Childre...

Score and parts for Saariaho's Cendres, arranged for Alto Flute, Cello and Piano. Quoting Saariaho: While writing Cendres, I was mainly concentrating on the interpretation of particular musical ideas...

The score for the updated version of Miranda's Lament. Composed in 1997 and revised in 2000, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The...

Score and Parts. Arranged for Soprano, Flute, Cello and Piano.

Two hymns written for unaccompanied choir by Tavener. The first is for SAATBBSAATBB double choir, and is a setting of a text from the Liturgy of St. Basil. The second is for SSATBBB choir and comes fr...

A Mediterranean, erotic postlude to a time when Davies had been much occupied with setting the Orkney poetry of George Mackay Brown. The voice, though, is the same. The mezzo part is wide-ranging and...

This work was first performed on 23rd October 1972 at the Wigmore Hall, London, by Janet Craxton (oboe), Perry Hart (violin), Brian Hawkins (viola) and Kenneth Heath (cello).

This work was first performed on 23rd October 1972 at the Wigmore Hall, London, by Janet Craxton (oboe), Perry Hart (violin), Brian Hawkins (viola) and Kenneth Heath (cello).

So we'll go no more a-roving (Byron) A Widow bird sate mourning (Shelley) The knot there's no un-tying (Thomas Campbell)

Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.

Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.

Full Score.

Written for percussion and tape. The tape part is made by the percussionist prior to the performance. Commissioned by Frankfurt Ballet and first performed on 31st January 1997, at the Schauspielhaus,...

Written for soprano and ensemble (Eb clarinet, C clarinet, viola, cello, double bass) with text by Mozart.

The parts consist of Piano accompaniment, melody in C, melody in Eb and melody in Bb.

Parts for 'The Piano Sings'. Scored for Soprano and String Quartet.