Partituras medio de Chester Music

First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...

First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...

This version of the work, composed for Children's Voices, Piano and Percussion, was commissioned by the Young People's Chorus of New York City. Text: Peter Porter.

The Lamb, a setting for unaccompanied choir of words by William Blake, was first performed by the choir of King's College, Cambridge on 24th December 1982, as part of A Festival of Nine Lessons and Ca...

Two Nursery Rhymes arranged for Soprano, Clarinet, and Piano.

The Hidden Face is a prayer, for solo counter-tenor, oboe, and a distant group of muted violins and violas. It tries to hold within it a whole tradition with nothing personal or idiosyncratic, as in i...

Written for male voice choir, handbells, Tibetian temple bowl and string quintet.

Written for four instruments, flute, oboe, clarinet and guitar in 1958.

Over 30 classic songs ranging from folk and pop to showtunes and movie hits. Whatever your taste in music, you'll love singing these all-time favourites.

Charlotte Church is one of a small number of artists who successfully crosses freely back and forth over musical dividing lines. The Welsh starlet has performed some of the greatest works in front of...

For either SSAA Choir or TTBB Choir. French, Russian and English texts provided.

Blow The Wind Southerly is a Northumbrian traditional early 19th century song, possibly with words from a much older source, a haunting tune that has been recorded over the decades by many singers, am...

A setting for Bass Solo and SATB of the Orthodox service of Holy Unction.

Selected by Lesley Garrett from her most popular recordings, this collection of her favourite songs reflects the broad range of music she performs. An excellent songbook for any aspiring vocalist, whi...

Geoffrey Brace. Adaptation of 'Under The Greenwood Tree' by Thomas Hardy. The musical follows the story fairly closely so directors can feel free to augment dialogue from the original novel if they wi...

The Wounds was expertly composed by British composer James Whitbourn, for SATB chorus, Speaker, Violin, Cello, and Organ. This product include the full score. James international reputation as a compo...

Score and Parts for Big Band. Jazzamatazz Big Band Sounds for the Younger Set.

Chapple's Praeludiana is an extended 'celebration' of Chopin's well-known prelude in C minor. First, a fast, flashing sequence of chords moves from manual to manual: next a Stravinskyan barrage of bra...

These variations are based on some of the musical material which Geoffrey Burgon composed for the Granada Television adaption of Evelyn Waugh's 'Brideshead Revisited. '

On 23 June 2013 Peter Maxwell Davies's Capstone, for organ, received its world premiere performance at the City of London Festival. Commissioned by St Paul's Cathedral, Capstone was performed at the C...

Mandēlion was commissioned for the 1982 Dublin International Organ Festival by RHM Foods. It was first performed on the 27th June 1982 by Pete Sweeney, at St. Patrick's Cathedral in Dublin. The piece...

This book gives you everything you'll need to Blitz! the ABRSM Grade 3 Theory exam. It contains: - Everything you need to know (and nothing you don't) for the 2018 syllabus. - More information, revisi...

How To Blitz! ABRSM Theory Grade 4 (2018 Revision) includes everything you'll need to blitz your Grade 4 ABRSM Theory exam.

For solo harpsichord.

Choral Variations for unaccompanied* SATB with boys' voices Texts:Theme A Boy was Born Anon. 16th century Variation 1 Lullay, Jesu Anon. before 1536 Variation 2 Herod Anon. before 1529 Variation 3 Jes...