Partituras medio de Editions Durand

El 22 de noviembre de 1928 se estrenó en la Ópera Garnier de París el ballet de Ida Rubinstein con música del Bolero de Maurice Ravel: fue un éxito rotundo. Pronto estuvo disponible una versión orques...

Musique française' is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic...

Born in 1961, Nicolas Bacri began comprehensive musical studies at a very early age: the piano, but also the technical disciplines of harmony and counterpoint, and finally, from 1979, composition with...

The Danse macabreis one of the most celebrated works of Camille Saint-Saëns and of the French symphonic repertoire in general. After the première on 24 January 1875, the work firmly established itself...

This anthology brings together 10 original works for flute and piano that reflect the elegance, sensitivity and charm but also the eclecticism of French music from the end of the 19th century into the...

The "serenade" (from the Italian serenata) was originally a light-hearted vocal piece accompanied by one or more instruments, meant to be played after nightfall. Very fashionable during the 18th centu...

The Danse macabreis one of the most celebrated works of Camille Saint-Saëns and of the French symphonic repertoire in general. After the première on 24 January 1875, the work firmly established itself...

This critical edition of the Trio is an excerpt from the COMPLETE WORKS OF CLAUDE DEBUSSY, Series III, volume 1. Debussy's Piano Trio, his second surviving instrumental work, dates from late summer 18...

This critical edition of the Trio is an excerpt from the COMPLETE WORKS OF CLAUDE DEBUSSY, Series III, volume 1. Debussy's Piano Trio, his second surviving instrumental work, dates from late summer 18...

El Impromptu op. 86 de Gabriel Fauré es una de las piezas más emblemáticas jamás escritas para arpa, un ejemplo típico de la Escuela Francesa de principios del siglo XX. La obra se adapta extraordinar...

Hacia el final de su actividad, Saint-Saëns llegó a preferir sonoridades más aerodinámicas, texturas más sutiles y refinadas, y se interesó mucho por el sonido del arpa. En 1893, compuso la Fantaisie...

El Concierto para arpa op. 4 nº 6 (HWV 294) de George Frideric Haendel se estrenó en el marco del estreno de la oda La fiesta de Alejandro (HWV 75), el 19 de febrero de 1736, probablemente con un arpa...

Marcel Grandjany (1891-1975) fue un arpista y compositor estadounidense de origen francés. Compuso su Automne para arpa sola durante su periodo parisino. La obra, publicada por Durand en 1927, fue esc...

[...] this piece is, without a doubt, one of the sweetest I have ever written. As this letter that Claude Debussy wrote to Durand, his publisher, indicates, the composer held his Rhapsodie for clarine...

Musique française' is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic...

A new engraving of the transcription for violin and piano of the famous piece Le Cygne from Le Carnaval des animaux. Introduction by Edmond Lemaitre in French and English.

Tarab premiered by David Grimal in le Volcan, Scène Nationale du Havre, on April 23rd 2010. Born in 1948 in Rome, Philippe Hersant studied music at the Paris Conservatory, notably in the composition c...

Perpétuel, Beyrouth-Jérusalem and Arminia are collected in the present edition for violin solo. Bechara El-Khoury, the Franco-Lebanese composer and poet was born in Beirut on March 18, 1957. His arti...

El "Menuet", quinto movimiento de la suite para piano Le Tombeau de Couperin (1914 17), arreglado para violín y piano por el violinista estadounidense de origen polaco Samuel Dushkin (1891 1976), famo...

It was in 1947, two years after winning the celebrated Grand Prix de Rome, that the French composer Claude Pascal (1921–2017) composed the Sonatine for alto saxophone and piano, his first work for Ado...

Soon after its composition in 1886, Camille Saint-Saëns asked Auguste Durand that Le Carnaval des animaux, which he thought of as a parodic fantasia, should only appear in print posthumously. He proba...