Partituras medio de Faber Music
Plesant Grounde, music by Leslie Walters with words by an unknown author and arranged for voice and piano.
Plesant Grounde, music by Leslie Walters with words by an unknown author and arranged for voice and piano.
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America, The Beautiful, written by Samuel A Ward with words by Katharine Lee Bates and arranged for voice and piano.
America, The Beautiful, written by Samuel A Ward with words by Katharine Lee Bates and arranged for voice and piano.
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The traditional Let Him Go, Let Him Tarry, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional Let Him Go, Let Him Tarry, arranged by Dudley E Bayford for voice and piano accompaniment.
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The traditional Oft In The Stilly Night, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional Oft In The Stilly Night, arranged by Dudley E Bayford for voice and piano accompaniment.
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The traditional work Sarie Marais, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional work Sarie Marais, arranged by Dudley E Bayford for voice and piano accompaniment.
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The Barber Of Seville, written by Maurie Rubens and Carlton Kelsey with words by Clifford Grey and arranged for voice and piano.
The Barber Of Seville, written by Maurie Rubens and Carlton Kelsey with words by Clifford Grey and arranged for voice and piano.
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Belle Of The Ball, written by Leroy Anderson, and arranged for voice and piano.
Belle Of The Ball, written by Leroy Anderson, and arranged for voice and piano.
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Evenin', written by Harry White with words by Mitchell Parish, and arranged for voice and piano.
Evenin', written by Harry White with words by Mitchell Parish, and arranged for voice and piano.
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I Would If I Could But I Can't, written by Bing Crosby, Mitchell Parish and Alan Grey and arranged for voice and piano.
I Would If I Could But I Can't, written by Bing Crosby, Mitchell Parish and Alan Grey and arranged for voice and piano.
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Tell Me Why, written by Michael Edwards and Sigmund Spaeth with words by Mitchell Parish, and arranged for voice and piano.
Tell Me Why, written by Michael Edwards and Sigmund Spaeth with words by Mitchell Parish, and arranged for voice and piano.
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Immerse yourself in the timeless magic of Johann Strauss’s immortal masterpiece, "The Blue Danube". In this special arrangement from the exclusive Faber Music archive, the world-famous waltz melody bl...
Immerse yourself in the timeless magic of Johann Strauss’s immortal masterpiece, "The Blue Danube". In this special arrangement from the exclusive Faber Music archive, the world-famous waltz melody bl...
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The traditional song The Quilting Party, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional song The Quilting Party, arranged by Dudley E Bayford for voice and piano accompaniment.
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The traditional Trek Song, arranged by Dudley E Bayford for voice(s) and piano accompaniment.
The traditional Trek Song, arranged by Dudley E Bayford for voice(s) and piano accompaniment.
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The traditional song While Strolling In The Park, arranged by Dudley E Bayford for voice(s) and piano accompaniment.
The traditional song While Strolling In The Park, arranged by Dudley E Bayford for voice(s) and piano accompaniment.
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The traditional Solomon Levi, arranged by Dudley E Bayford for voice(s) and piano accompaniment.
The traditional Solomon Levi, arranged by Dudley E Bayford for voice(s) and piano accompaniment.
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What Love Means To Girls Like Me, written by Noel Coward, sung by Miss Maisie Gay in the revue from 'London Calling', arranged for voice and piano.
What Love Means To Girls Like Me, written by Noel Coward, sung by Miss Maisie Gay in the revue from 'London Calling', arranged for voice and piano.
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In Madrid, as performed by The Radio Revellers, arranged for voice and piano.
In Madrid, as performed by The Radio Revellers, arranged for voice and piano.
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The Income-Tax Collector, written by Donald Swann and Michael Flanders, as performed by Ian Wallace and arranged for voice and piano.
The Income-Tax Collector, written by Donald Swann and Michael Flanders, as performed by Ian Wallace and arranged for voice and piano.
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Indian Summer, written by Victor Herbert with words by Al Dubin, arranged for voice and piano.
Indian Summer, written by Victor Herbert with words by Al Dubin, arranged for voice and piano.
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Bring the timeless charm of the Roaring Twenties directly to your piano! With "Ain't She Sweet", Faber Music presents one of the most beloved and upbeat classics in jazz and pop history, arranged for...
Bring the timeless charm of the Roaring Twenties directly to your piano! With "Ain't She Sweet", Faber Music presents one of the most beloved and upbeat classics in jazz and pop history, arranged for...
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Down In The Glen, written by Harry Gordon and Tommie Connor. Arranged for piano and voice with guitar chords in digital sheet music format.
Down In The Glen, written by Harry Gordon and Tommie Connor. Arranged for piano and voice with guitar chords in digital sheet music format.
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Happy Days Are Here Again, written by Milton Ager with words by Jack Yellen. Arranged for piano and voice with guitar chords in digital sheet music format.
Happy Days Are Here Again, written by Milton Ager with words by Jack Yellen. Arranged for piano and voice with guitar chords in digital sheet music format.
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I May Be Wrong But, I Think You're Wonderful, written by Henry Sullivan with words by Harry Ruskin. Arranged for piano and voice with guitar chords in digital sheet music format.
I May Be Wrong But, I Think You're Wonderful, written by Henry Sullivan with words by Harry Ruskin. Arranged for piano and voice with guitar chords in digital sheet music format.
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I'll See You Again, written by Noel Coward. Arranged for piano and voice with guitar chords in digital sheet music format.
I'll See You Again, written by Noel Coward. Arranged for piano and voice with guitar chords in digital sheet music format.
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Nobody's Sweetheart, written by Ernie Erdman and Elmer Schoebel with words by Gus Kahn and Billy Meyers. Arranged for piano and voice with guitar chords in digital sheet music format.
Nobody's Sweetheart, written by Ernie Erdman and Elmer Schoebel with words by Gus Kahn and Billy Meyers. Arranged for piano and voice with guitar chords in digital sheet music format.
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