Partituras medio de G. Henle Verlag

Telemann's sonatas, published in 1728, are 'methodical' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they...

Metódicas" fue como se describieron las seis sonatas de Telemann cuando se publicaron en 1732, porque incluían una segunda versión ornamentada de la sencilla línea melódica del instrumento solista par...

The Urtext instrumental part of this edition is laid out as a combined flute and bass part (featuring the original basso continuo figures without realisation). This manner of reproduction is oriented...

Fauré's exquisite 'Fantaisie' is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The flute professor there, Paul Taffanel, had asked his colleague...

The Serenade op. 41 is based on Beethoven's Opus 25 for flute, violin and viola. Although the version for piano and flute (or violin) did not originate from the composer - but was probably undertaken...

When Dvořák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and 'Harmoniemusik' wind ensembles was already long gone. He was probably inspir...

Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three piano trio fragments. Mozart composed them at di...

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period o...

Las 22 sonatas para piano de Schubert esbozan una imagen muy esclarecedora de la trayectoria compositiva del compositor prematuramente fallecido. Desde los primeros ensayos del joven dotado de 16 a 19...

Directly after composing his first violin sonata, Fauré wrote another great chamber music work with the Piano Quartet op. 15. This youthful, fresh composition met with wide approval at its premiere in...

En la década de 1910, un enamoramiento romántico de la arpista Eleonora Damskaja llevó al joven Sergei Prokofiev a componer tres piezas cortas para arpa y dedicárselas. Dos de estas composiciones se i...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing 'Lodi Quartet' K. 80 by the only fourteen-year-old composer, the three 'Qua...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

The music world associates Verdi's name so obviously with his operatic output that his contributions to other genres can easily be overlooked. His only chamber work owes its existence to an enforced b...

Encouraged by Muzio Clementi, the head of a distinguished publishing house in London, Beethoven transformed his Violin Concerto into a Piano Concerto, but retained the cadenzas to the first and third...

Beethoven wrote ten sonatas for violin and piano during a period of only fifteen years (from 1797 to 1812). It is impressive how in this genre he again pursued the principle of finding a new model for...

Schumann's second violin sonata was written in October/November 1851, only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata, especially in the...

> Original cadenza no. 1 also in a version by Eugène Ysaye > With a marked and unmarked string part > Recital Piece for advanced students > Preface by the Belgian expert on Vieuxtemps, Marie Cornaz >...

Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss' most popular chamber music compositions to this day. In the outer movements, it...

For the elaboration of his eight Spanish Dances (HN1370), Sarasate employed extant material - folk melodies or songs by well-known composers - which he then blended with his own delightful brand of to...