Partituras medio de G. Henle Verlag

The 'Valses oubliées' belong to Liszt's late work, characterised by themes such as memory, sorrow and grief. They do not form a cycle but were written as separate pieces between 1881 and 1884. The tit...

Liszt's piano cycle 'Harmonies poétiques et religieuses' (HN 639) was inspired by religious-philosophical poems of the French Romantic Alphonse de Lamartine. Whereas the cycle as a whole remained comp...

About three years after the publication of the second volume of his 'Années de Pèlerinage' (Italy), Liszt added a supplement to this collection: the triptych 'Venezia e Napoli'. For this he reworked t...

De las cinco sonatas para violonchelo de Beethoven, la Grande Sonate op. 69, publicada en 1809, no sólo es la pieza central, sino también la más significativa musicalmente. El ingenioso acoplamiento d...

Escritas en 1815, las dos Sonatas op. 102 marcan la transición hacia las sonoridades a menudo austeras del estilo tardío de Beethoven. Un crítico de la edición original señaló en 1818 que 'sin duda se...

When Dvořák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and 'Harmoniemusik' wind ensembles was already long gone. He was probably inspir...

Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three piano trio fragments. Mozart composed them at di...

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period o...

Las 22 sonatas para piano de Schubert esbozan una imagen muy esclarecedora de la trayectoria compositiva del compositor prematuramente fallecido. Desde los primeros ensayos del joven dotado de 16 a 19...

Directly after composing his first violin sonata, Fauré wrote another great chamber music work with the Piano Quartet op. 15. This youthful, fresh composition met with wide approval at its premiere in...

En la década de 1910, un enamoramiento romántico de la arpista Eleonora Damskaja llevó al joven Sergei Prokofiev a componer tres piezas cortas para arpa y dedicárselas. Dos de estas composiciones se i...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

Sabemos muy poco del Divertimento en re mayor K. 334 de Mozart, que sigue siendo popular hoy en día: no se ha conservado ningún autógrafo, y en las dos ediciones publicadas tras la muerte de Mozart ha...

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

The music world associates Verdi's name so obviously with his operatic output that his contributions to other genres can easily be overlooked. His only chamber work owes its existence to an enforced b...

Encouraged by Muzio Clementi, the head of a distinguished publishing house in London, Beethoven transformed his Violin Concerto into a Piano Concerto, but retained the cadenzas to the first and third...

Beethoven wrote ten sonatas for violin and piano during a period of only fifteen years (from 1797 to 1812). It is impressive how in this genre he again pursued the principle of finding a new model for...

Schumann's second violin sonata was written in October/November 1851, only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata, especially in the...

> Original cadenza no. 1 also in a version by Eugène Ysaye > With a marked and unmarked string part > Recital Piece for advanced students > Preface by the Belgian expert on Vieuxtemps, Marie Cornaz >...

Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss' most popular chamber music compositions to this day. In the outer movements, it...

For the elaboration of his eight Spanish Dances (HN1370), Sarasate employed extant material - folk melodies or songs by well-known composers - which he then blended with his own delightful brand of to...

Prokofiev’s Second Violin Sonata was originally a work for flute and piano. Composed in 1943, the Flute Sonata op. 94 immediately aroused the interest of violinist David Oistrakh, who suggested a viol...