Partituras medio de G. Henle Verlag
This last of the surviving C major sonatas was written during Haydn's second London sojourn in 1794/95 for the pianist Terese Jansen, Mrs Bartolozzi. It seems to have been a very personal expression o...
This last of the surviving C major sonatas was written during Haydn's second London sojourn in 1794/95 for the pianist Terese Jansen, Mrs Bartolozzi. It seems to have been a very personal expression o...
- Piano
- Partituras (Urtext)
- G. Henle Verlag
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Johannes Brahms eligió en dos ocasiones un tema de su amigo y mentor Robert Schumann como base para variaciones para piano. Mientras que las Variaciones op. 9 fueron compuestas para piano solo, como e...
Johannes Brahms eligió en dos ocasiones un tema de su amigo y mentor Robert Schumann como base para variaciones para piano. Mientras que las Variaciones op. 9 fueron compuestas para piano solo, como e...
- Piano a 4 manos
- Partitura(s) general(es) de conjunto (Urtext)
- Andreas Groethuysen
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Schubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes - this is one of the traditional images of Schubert that we so cherish. The ter...
Schubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes - this is one of the traditional images of Schubert that we so cherish. The ter...
- Piano
- Partituras (Urtext)
- Hans-Martin Theopold
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In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...
In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...
- Viola y piano
- Reducción de piano con partichela(s) (Urtext)
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Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...
- Violonchelo y piano
- Partitura de piano y partichela(s) (Urtext)
- David Geringas Klaus Schilde
- G. Henle Verlag
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After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Vol...
After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Vol...
- Cuarteto de cuerda (2 violines, viola y violonchelo)
- Set de partichelas (Urtext)
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The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...
- Orquesta de cuerda
- Partitura general (Urtext)
- G. Henle Verlag
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There is no other chamber-music genre for which Mozart produced so many works - see the sonatas and variations - than that of the duos for piano and violin. He spent a considerable amount of time with...
There is no other chamber-music genre for which Mozart produced so many works - see the sonatas and variations - than that of the duos for piano and violin. He spent a considerable amount of time with...
- Violín y piano
- Partituras (Urtext)
- G. Henle Verlag
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Telemann's sonatas, published in 1728, are 'methodical' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they...
Telemann's sonatas, published in 1728, are 'methodical' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they...
- Flauta travesera y bajo continuo
- Partitura de piano y partichela(s) (Urtext)
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Metódicas" fue como se describieron las seis sonatas de Telemann cuando se publicaron en 1732, porque incluían una segunda versión ornamentada de la sencilla línea melódica del instrumento solista par...
Metódicas" fue como se describieron las seis sonatas de Telemann cuando se publicaron en 1732, porque incluían una segunda versión ornamentada de la sencilla línea melódica del instrumento solista par...
- Flauta travesera y bajo continuo
- Partitura de piano y partichela(s) (Urtext)
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The Urtext instrumental part of this edition is laid out as a combined flute and bass part (featuring the original basso continuo figures without realisation). This manner of reproduction is oriented...
The Urtext instrumental part of this edition is laid out as a combined flute and bass part (featuring the original basso continuo figures without realisation). This manner of reproduction is oriented...
- Flauta travesera y bajo continuo
- Partituras (Urtext)
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Fauré's exquisite 'Fantaisie' is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The flute professor there, Paul Taffanel, had asked his colleague...
Fauré's exquisite 'Fantaisie' is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The flute professor there, Paul Taffanel, had asked his colleague...
- Flauta travesera y piano
- Partitura de piano y partichela(s) (Urtext)
- Klaus Schilde
- G. Henle Verlag
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The flute part was edited by one of the most renowned flutists of our time: András Adorján. The cadenzas and entrances are by the Mozart connoisseur, musicologist and pianist Robert D. Levin. The prop...
The flute part was edited by one of the most renowned flutists of our time: András Adorján. The cadenzas and entrances are by the Mozart connoisseur, musicologist and pianist Robert D. Levin. The prop...
- Flauta travesera y piano
- Reducción de piano (Urtext)
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The Serenade op. 41 is based on Beethoven's Opus 25 for flute, violin and viola. Although the version for piano and flute (or violin) did not originate from the composer - but was probably undertaken...
The Serenade op. 41 is based on Beethoven's Opus 25 for flute, violin and viola. Although the version for piano and flute (or violin) did not originate from the composer - but was probably undertaken...
- Flauta travesera y piano
- Partituras (Urtext)
- Klaus Schilde
- G. Henle Verlag
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Escritas en 1885, las ocho canciones sobre textos del poeta Hermann von Gilm, hoy poco conocido, ocupan un lugar especial en el corpus de Lieder de Richard Strauss. Por primera vez, compuso un conjunt...
Escritas en 1885, las ocho canciones sobre textos del poeta Hermann von Gilm, hoy poco conocido, ocupan un lugar especial en el corpus de Lieder de Richard Strauss. Por primera vez, compuso un conjunt...
- Voz (aguda) y piano
- Partitura de piano (Urtext)
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Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also...
Based on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also...
- Piano
- Partituras (Urtext)
- Marc-André Hamelin
- G. Henle Verlag
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- Piano
- Partituras (Urtext)
- G. Henle Verlag
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Brahms began his career as a pianist. His contribution to the piano music of the 19th century is significant in two respects: following Schubert and Schumann he cultivated the small, lyrical form, whi...
Brahms began his career as a pianist. His contribution to the piano music of the 19th century is significant in two respects: following Schubert and Schumann he cultivated the small, lyrical form, whi...
- Piano
- Partituras (Urtext)
- G. Henle Verlag
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Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
- Piano
- Partituras (Urtext)
- G. Henle Verlag
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Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
Hans von Bülow described Beethoven's 32 piano sonatas as 'Music's New Testament'. Since its first appearance, Henle's complete two-volume edition (HN 32 and HN 34) has been valued by specialists as th...
- Piano
- Partituras (Urtext)
- G. Henle Verlag
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This 'Lament, or the maiden and the nightingale' is the fourth movement of Granados' six-part piano cycle Goyescas (1909-11). The cycle's title is derived from the name of the Spanish painter Francisc...
This 'Lament, or the maiden and the nightingale' is the fourth movement of Granados' six-part piano cycle Goyescas (1909-11). The cycle's title is derived from the name of the Spanish painter Francisc...
- Piano
- Partituras (Urtext)
- G. Henle Verlag
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It is, aside from two passages, one of Beethoven's easiest; but as far as the performance of individual passages and its whole spirit is concerned, requires every kind of care', thus wrote a contempor...
It is, aside from two passages, one of Beethoven's easiest; but as far as the performance of individual passages and its whole spirit is concerned, requires every kind of care', thus wrote a contempor...
- Piano
- Partituras (Urtext)
- Murray Perahia
- G. Henle Verlag
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Beethoven's Piano Sonata no. 7 in D major is the third from his Opus 10, which appeared in 1798, and simultaneously the heavyweight of this group of works. As one of the most powerful sonatas from the...
Beethoven's Piano Sonata no. 7 in D major is the third from his Opus 10, which appeared in 1798, and simultaneously the heavyweight of this group of works. As one of the most powerful sonatas from the...
- Piano
- Partituras (Urtext)
- G. Henle Verlag
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Sergei Rachmaninov's second book of Préludes, op. 32, was written in the summer of 1910 at his family's idyllic country house in Ivanovka. This sleepy, rural area inspired the composer to this wonderf...
Sergei Rachmaninov's second book of Préludes, op. 32, was written in the summer of 1910 at his family's idyllic country house in Ivanovka. This sleepy, rural area inspired the composer to this wonderf...
- Piano
- Partituras (Urtext)
- Marc-André Hamelin
- G. Henle Verlag
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- Piano
- Partituras (Urtext)
- G. Henle Verlag
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disponible en 1-3 días laborables