Partituras medio de G. Schirmer

For unaccompanied violin.

For unaccompanied violin.

For unaccompanied violin.

For unaccompanied violin.

Schirmer's Library Of Musical Classics, Vol. 2096 New complete edition combines parts 1 and 2 into one value-priced edition.

Exercises for promoting dexterity in Various Positions: Exercises on One String Exercises on Two Strings Exercises to be practised with wrist-movement only, keeping the right arm perfectly quiet Exe...

Each exercise in this book tackles an individual aspect of bowing technique for violinists. Staccato, spiccato, arpeggios and string crossing are just a few of the techniques covered. In additon, each...

For unaccompanied cello.

Classic tutor revised and enlargened by W. M. Scharfenberg.

A series of exercises for improving different aspects of piano technique. First published in 1902. This edition is in English and German.

Centering around the understanding and means of expression, Book 2 introduces the student to famous pieces that illustrate humor and seriousness, repose and excitement, motion and rest. Sixteenth note...

Ten studies for Trombone Quintet in a variety of Jazz/Dance styles. Includes Score and Parts.

For trombone quintet.

'The Harp is to Music what Music is to Life' These technical notes and studies by the master Carlos Salzedo are intended for both advanced and novice harp players, plus conductors, composers and other...

Contents: LeClair: Gigue / J. S. Bach: Bourree / Chopin: Nocturne, Op. Posthumous / Taffanel: Scherzettino / Faure: Andantino / Enesco: Presto / Donhányi: Aria, Op. 48, No. 1.

Volume 2 of a collection for the young Flautist which contains Piano accompaniment. Three centuries for Flute music selected from the Louis Moyse Collection.

Transcribed for Viola.

The Great Performer's Edition version of J. S. Bach's Concerto in A Minor (BWV 1056), transcribed for Flute and Piano by James Galway with a piano reduction by Phillip Moll.

The six duets from Op. 2 edited by Milton Wittgenstein.

Three challenging preludes for solo flute. The Allegro and Allegro molto should be spirited and well-accented, whereas the expressive Andante molto should be played freely.

The composer Giacinto Scelsi writes of this work: 'PWYLL is a Druid name. Music speaks for itself, of course, but to give it an extra-musical interpretation, PWYLL might perhaps suggest the image of a...

Contents: Aria from Saint Matthew Passion / Aria from Saint John Passion / Aria from Christmas Oratorio / Aria from Easter Oratorio / Benedictus from Mass in B Minor / Domine Deus from Mass in B Minor...

Contents: Sonata I in E minor / Sonata II in G minor / Sonata III in A minor / Sonata IV in G major / Sonata V in C major / Sonata VI in B minor / Sonata VII in F major.

A Spanish-inspired piece for Flute and Guitar by Louis Moyse, dedicated to Felix and Sara Kitroser.