Partituras medio de Hal Leonard para músicos en crecimiento

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Primarily scored for the entire ensemble with brief choruses for the saxes, this original shuffle really lives up to it's name and has a great feel. An open solo section gives you added flexibility an...

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.