Partituras medio de Kendor Music

Composed in 1826 by Friedrich Kuhlau, he was known during his lifetime as the 'Beethoven of the Flute.' The Scherzo movement moves along nicely in 3/4 (dotted half = 60) and has been expertly arranged...

A delightful setting for quartets which cats every member in a lead role as the melody passes from one part to another. The tempo is a slow march and the duration 3:20.

Expertamente orquestada por el veterano autor Kevin Kaisershot, esta colección para cuarteto de metales incluye toda la música necesaria para una ceremonia nupcial.

This arrangement of Scott Joplin's most famous ragtime hit will be a welcome highlight on any program. Perfect as an encore number, it will be as fun to listen to for the audience as it is to perform....

Este ragtime original escrito para un trío de viento madera en Bradenton, Florida, consta de tres temas (con variaciones) y un interludio.

Chamber music is essential to the development of musicianship. These faithful, accurate transcriptions are completely idiomatic for clarinet. They include an excellent and varied selection of composer...

When played with a delicate, light touch, expressive dynamics and steady rhythmic precision, this hit from Tschaikowsky's Nutcracker will be incredibly popular with players and listeners alike, especi...

Originally written in 1923 by Zes Confrey, this energetic adaptation for Bb clarinet quartets gives all players a chance at the melody so no one feels stuck entirely in the accompaniment role.

Today the music of Scott Joplin is no less popular than it was when he wrote it at the turn of the century, which is precisely why we have great confidence in the potential of this arrangement for Bb...

These grade 4 settings of three piano rags hail from the early and late periods of the classical ragtime era (1899, 1915, 1916). Titles include: Maple Leaf Rag (Scott Joplin), Honeymoon Rag (James Sco...

Today the music of Scott Joplin is no less popular than it was when he wrote it at the turn of the century, which is precisely why we have great confidence in the potential of Red McLeod's arrangement...

This arrangement of Felix Arndt's song of 1916 features a good mix of instrumental textures--harmonized melodies played by all, soloistic passages played by one, etc. At first players may be a bit int...

Con partes para trompetas en Sib y Do, este par de famosas gemas de Purcell es perfecto para cualquier evento importante que requiera música majestuosa con un toque barroco: boda, graduación, programa...

Dedicated to an old college buddy, this Kaisershot original has a range of no higher than top-line F. Marked allegro giocoso, the duration is just 1:15. Articulations and changes in dynamics should be...

This pair of famous Purcell gems is perfect for any important event calling for regal music with a Baroque flourish -- wedding, graduation, honors program, etc.

These two themes from Vivaldi's Spring are a must-have addition to the library of any grade 4 performing group. The energy of the Allegro, teamed up with the lyric, flowing character of the Pastoral,...

Arranged by euphonium player Donald M. Sherman, all eight pieces in this collection have been carefully edited to ensure a great musical experience for grade 4 players. Destined to become standard rec...

Arranged by euphonium player Donald M. Sherman, all eight pieces in this collection have been carefully edited to ensure a great musical experience for grade 4 players. Destined to become standard rec...

One year after completing the "Messiah", Handel scored another triumph with the 1743 oratorio "Samson". Harapha's famous aria from "Samson" is presented here for grade 4 soloist with piano accompanime...

Magníficamente arreglada por el maestro trombonista Allen Ostrander, esta cantata para solistas presenta emocionantes tresillos de 8ª nota y amplios saltos de intervalo de una octava o más para desafi...

Esta jovial y emocionante adaptación entusiasmará a los fans de Bach de todo el mundo. Se requiere una aguda capacidad auditiva a lo largo de toda la obra, ya que los intérpretes entrelazan sus partes...