Partituras medio de Southern Music Company

The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...

The brilliant and exciting finale to the 'William Tell Overture', made famous by its use as gallop music for the Lone Ranger radio and television show, is here arranged for flute choir by Richard Thur...

This popular piece for trombone and piano was written as the 1935 audition selection for the Paris Conservatory. It begins with a beautiful andante section followed by a rousing allegro. The original...

> Easy to read lesson explains dominant ninth chords on I-Bb, IV-Eb, and V-F in a 12 and 16 bar Bb blues format. > Mixolydian mode introduced and suggested improv examples given on each chord for prac...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...

Movements: I. Mayans, II. Navaho, III. Crow

This piece is a rich and resonant celebration of the world of string orchestra sonorities. Capable of both great virtuosity and smooth as glass legato lyricism, the string orchestra provides the compo...

This composition for saxophone choir was inspired when the composer first heard a large saxophone ensemble. It is intended to evoke the feelings he had as a child attending picnics in the summer, full...

Although this work was originally composed for clarinet choir, its rich harmonies and lyricism make it especially appropriate for saxophone ensemble. Instrumentation: Soprano Sax, 3 Alto Sax, 2 Tenor...

Recorded by Dr. Seiichiro Edo. Movement titles: 1. Prelude, 2. Song, 3. Invention, 4. Waltz, 5. Postlude

Originally part of a set of two pieces entitled 'Nocturne and Scherzo. ' The Nocturne was published individually under the title 'A Night Piece. ' This is the first published performance edition of th...

According to legend, Scarlatti was relaxing after an evening of composing and teaching when his pet cat decided to take a walk across the keys of his harpsichord. Upon hearing this, he decided to use...

This is the most popular of the Noels by D'aquin. Transcribed for flute choir by Arthur Ephross.

This lullaby is a beautiful example of Welsh folk music. Lullabies such as this were sung as assurance that all would be well until morning, conjuring images of watchful angels and peaceful slumber. T...

This arrangement for large flute choir is derived from the original Latin plainsong. Solos in the 1st and 2nd flute parts may be played from the audience, off-stage, or from within the ensemble.

This jaunty promenade for two baritones and two tubas is a great recital or concert piece for intermediate players. The melody is handed-off from one player to another throughout the piece.

This collection of three Samuel Scheidt cantos have been transcribed for horn choir by Verne Reynolds. Cantos: I. Das Alte Jahr Vergangen Ist II. Alleluja III. Ein Feste Burg

This pieces is written for the younger band and is based on a motif of repeated notes, hence its title. It was commissioned by and dedicated to the Burns Junior High School Band, Lawndale, North Carol...

This march may be used both for concert programs or as a processional march, with optional cuts and repeated sections. This new arrangement for flexible instrumentation is written to be playable by an...

This atonal fantasy is a beautiful recital piece for the advancing piccolo player, containing challenging technical sections with haunting melodic moments.

This work is one of a group of three pieces for solo wind instruments and band commissioned by the G. LeBlanc Corporation as performance vehicles for their artist/clinicians, the other two being 'Ode...

The text from 16th century poet, Sir Philip Sidney, provides the basis for this delightful choral performance work.