Partituras medio de Southern Music Company

Songs: I. Standchen, II. O kühler Wald, III. Minnelied, IV. Sonntag, V. Vergebliches Ständchen

Originally for piano, this lyric work is a shining presentation of Price's signature style. The first statement is in E-flat Major, then modulates to F Major. Although short, the piece requires mature...

Originally for piano, this lyric work is a shining presentation of Price's signature style. The first statement is in E-flat Major, then modulates to F Major. Although short, the piece requires mature...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

FORGOTTEN DREAMS se terminó el 28 de mayo de 1954. La primera interpretación tuvo lugar unos días más tarde, el 2 de junio, durante una sesión de grabación para Delta Records en Nueva York, en la que...

Capriccio es la tercera composición de James Barnes, resultado de un encargo de la Banda de Antiguos Alumnos del Instituto Zushi de la Prefectura de Kanagawa (Japón). Es una pieza alegre y desenfadada...

Capriccio es la tercera composición de James Barnes, resultado de un encargo de la Banda de Antiguos Alumnos del Instituto Zushi de la Prefectura de Kanagawa (Japón). Es una pieza alegre y desenfadada...

El espíritu aventurero queda fielmente retratado en este tour de force de 3er grado. Tiene todos los elementos que los músicos y directores adoran: emoción, sonidos atrevidos y armonías interesantes;...

Escrita en 1916, THE AMERICAN COLORS es una salpicadura patriótica y vivaz de Americana. Es muy original y, como se hacía a menudo en la época del compositor, cita COLUMBIA, GEMA DEL OCÉANO en el Trío...

Evocadora y retrospectiva, MOONSET es una obra muy original para banda de concierto. Explora paisajes sonoros de manera única y sirve como una excelente obra para concurso o festival o simplemente com...

Sousa composed this march at the request of his nephew, who was sponsoring his uncle's entrance into the Ancient Arabic Order of Nobles of the Mystic Shrine in 1922. The following year, the march rece...

GLENDOWER es una deliciosa marcha en compás de 6/8. Tiene algunos giros dinámicos que mantendrán a sus músicos en vilo y al público totalmente involucrado en la interpretación. Es una maravillosa adic...

Publicada originalmente en 1961, THE BAND OF BANDS fue compuesta para los Wisconsin Band Masters. Tiene un estilo único, con melodías estupendas e interesantes cambios armónicos. Es un cambio maravill...

Was written at the suggestion of and as a tribute to the United States Strategic Air Command. Two editions of the Strategic Air Command March are published: the complete Concert March version, and a q...

Like all concert marches, as distinct from the march intended to accompany marching groups of people, this piece differs from the traditional form, instrumentation and musical elements found in its pr...

This piece is one of two marches attributed to Bruckner often performed by contemporary bands, though evidene suggests that it was actually written by another of Otto Kitzler's students, Bela Keler. R...

Hermann Ludwig Blankenburg (1876 - 1956) was a German composer of military marches, and is likely the most prolific march composer in history (1328 in total), preferring to compose when inspiration st...

This march in 6/8 was commissioned by All My Friends in The 312th U.S. Army Reserve Band.

Stirling Castle stands at the gateway to the Highlands of Scotland, and is the home of one of Britain's most famous regiments, the argyll and Sutherland Highlanders, in which Major J. H. Howe. Written...

Part of the New Sousa Band Editions, celebrating the compositions and performance practices of this American composer and his legendary band. This piece was originally commissioned by Judge Kenesaw Mo...

Eighty-seven daily and technical studies and repertoire include: 18 Studies (Ferling, Op. 12), Grandes Etudes and Second Cantilene (A. M. Barret), Sheperds of Provence - duet in four movements for obe...

This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn th...

MODAL WALTZ: Moderate swing in 3/4 that employs the C and F dorian modes. 4. FULL CIRCLE WITH SAX UNISON: Chords in the circle of fourths (key: F Concert), with a unison sax line to aid tuning. 5. BON...

This Adagio (from Sonata No. V) and Allegro (from Sonata No. III) by Galliard was originally written for bassoon (or cello) and continuo and has been transcribed for bass clarinet and piano by Lyle Me...