Partituras medio para Big Band y Jazz Ensemble

Originally written and arranged for trumpeter Dizzy Gillespie's big band in 1956, this version of Benny Golson's tribute to the late Clifford Brown, 'I Remember Clifford,' has become a favorite ballad...

In 1959 Mercer Ellington assembled his dad's working ensemble in a New York studio to record an album for Coral Records that is known as Colors in Rhythm. The idea was to take a few of Mercer's origin...

Doug Beach has crafted a dramatic ballad the features either Alto Saxophone or Trumpet. The haunting melody over minor changes will be an excellent showcase for your soloist. Doug uses a variety of co...

This beautiful ballad features the ensemble and is truly a gem at this level. Lush harmony abounds and all the colors of the contemporary jazz ensemble are utilized. There is a short written Piano sol...

This beautiful ballad features the ensemble and is truly a gem at this level. Lush harmony abounds and all the colors of the contemporary jazz ensemble are utilized. There is a short written Piano sol...

This beautiful ballad features flugelhorn and was recorded by the SWR Big Band on the CD Fun Time. The rhythm is in a bossa nova style with some beautiful ensemble orchestration and interesting chord...

Originally written for and played by Bud Shank, this showpiece for alto sax features a wide dynamic range and calls for a soft, smooth approach to background figures. Though written solo lines are pro...

This beautiful flugelhorn solo was featured on the Sammy Nestico Orchestra CD Night Flight. As that recorded performance by Guido Basso illustrates, this chart allows ample room for a creative soloist...

This beautiful flugelhorn solo was featured on the Sammy Sammy Nestico Orchestra CD Night Flight. As that recorded performance by Guido Basso illustrates, this chart allows ample room for a creative s...

Composer Mike Tomaro has created a super even-eighth note ballad that features the ensemble throughout. There is a written 16 measure solo for Tenor Saxophone that may also be improvised. Lush harmony...

Recorded by Count Basie on the album Have A Nice Day (Daybreak Records), this expressive ballad is a study in subtle ensemble textures and colors, with muted brass, delicate piano fills, and a directe...

A lyrical melody and beautiful harmonies combine to create a poignant showcase for trumpet or flugelhorn soloist (written lines included for soloists lacking improvisation experience). Lush voicings e...

With a tip of the hat to the great Neal Hefti, this chart is exactly the type of ballad that the Count was famous for. Featuring mostly full ensemble work, this medium level original asks for everyone...

This beautiful straight 8th-note ballad for medium level groups showcases either an alto saxophone or trumpet soloist. The pensive melody is beautifully supported by the rich ensemble writing, and the...

This beautiful straight 8th-note ballad for medium level groups showcases either an alto saxophone or trumpet soloist. The pensive melody is beautifully supported by the rich ensemble writing, and the...

Written in memory of the legendary Blue Mitchell and recorded by Louie Bellson on London Scene, this wistful ballad by Bobby Shew is a beautiful showcase for flugelhorn or trumpet soloist. Care must b...

Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can st...

Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can st...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodw...

This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodw...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Nestico says that all real '...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Sammy Nestico says that all...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...