Partituras medio para Big Band y Jazz Ensemble

Here is the lush and lovely Danny Boy (a.k.a Londonderry Air) as played by the Miller Band. Another excellent transcription from the pen of Alan Glasscock, this chart features Miller-voiced saxes, bea...

My Guy's Come Back is the Mel Powell arrangement for the Miller USAAF band, and is an extended version compared to the civilian band chart which we have transcribed from a radio air check. It is at he...

Fred Norman wrote and arranged this tune for the Miller band, and we have transcribed this chart from Miller's 1941 Hollywood recording. The opening Piano solo and later Trumpet and Tenor solos are fu...

Glenn Miller's version of Star Dust is hauntingly beautiful, and a Miller 'must-have' chart. Lovingly transcribed from the original Miller / Finegan arrangement by Alan Glasscock, our version contains...

Skylark is a lush male vocal ballad from the Glenn Miller Orchestra, and it naturally makes use of Miller-voiced Saxes. The voicings and harmonic structure of this arrangement are simply stunning, and...

This arrangement of the Andrews Sisters version of Apple Blossom Time shows a more sentimental side of the trio's repertoire. Unusually, the chart is only scored for 3 voices, 4 Trombones and 4 Rhythm...

Harry James and The Skylarks vocal group briefly joined forces in 1949-50, and came up with this gem of a chart. Don'cha Go 'Way Mad is all about a guy begging forgiveness for cheating on his girlfrie...

Tampico is a fun latin vocal chart from the Stan Kenton Orchestra, originally sung by June Christy and the boys in the band. The chart opens with a powerful intro and moves immediately into the vocals...

Lovingly transcribed by Alan Glasscock from Miller's October 1940 New York recording, originally arranged by Bill Finegan and sung by Ray Eberle, this lush chart is classic Miller, full of tonal colou...

Lullaby of Birdland was written by the great English born pianist George Shearing, and this chart has been transcribed from the Ted Heath book by Mogens Hobel. The original Reg Owen arrangement was on...

Zing Went the Strings of My Heart was recorded by Frank Sinatra in December 1960 for the Ring-a-Ding album, but remained unreleased until 1990 when the master tapes of the original recording were redi...

Beautifully transcribed by Jon Harpin from the Neal Hefti chart written for the Sinatra Basie album, I Only Have Eyes For You is pure crooning Sinatra, yet with enough in the chart for the band to shi...

Hard Hearted Hannah is a showstopper of a female vocal. Big, brassy and with real punch, this chart has been exquisitely transcribed and adapted by Jon Harpin from the Julie London original. Although...

Frank Sinatra and Count Basie combined brilliantly on their 1962 album 'Sinatra-Basie', of which this chart was the title track, arranged by Neal Hefti. From Basie's opening intro right to the last no...

This transcription is of the Miller version of Gershwin's famous work. We have written out all the solos (1st Trumpet, 1st Tenor, Guitar and Bass) and all the parts are accurately notated and articula...

A hit for the Harry James Orchestra, this transcription is taken from HJ's 1955 studio recording. It is a medium tempo Trumpet & Tenor feature that just grooves along at a relaxed pace, with a bluesy...

Lover Come Back To Me is generally played at a fairly brisk pace. However, this rare chart from the Artie Shaw book takes the tune at a pretty relaxed tempo which allows all of the harmonic structures...

A hit for Anita O'Day during her second spell with the Gene Krupa Orchestra, this chart is taken from the album Let Me Off Uptown on Columbia/Legacy (CK 65625). The opening Boogie, followed by an Alto...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

This is Glenn Miller's version that was originally performed by the Modernaires vocal group. We have scored it for Boy and Girl vocal duet and have included a part for the vocal harmony group too. The...

This is the original Helen O'Connell version of Amapola, from her 1957 album 'Green Eyes', as recorded with the Marion Evans Orchestra. It is not a transcription. We have adapted it slightly, by addin...