Partituras medio para Big Band y Jazz Ensemble

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this classic featuring solo trombone opens and closes with a directed chorale. In between, the pairing of a gospel groove...

Big Band Gospel...... what a wonderful idea! Dan has written a very attractive gospel-flavored chart which is not difficult to play. Limited ranges make this a playable chart for most bands (the last...

Compuesta originalmente para la película de 1935 Top Hat (Sombrero de copa), protagonizada por Fred Astaire y Ginger Rogers, este clásico ha seguido siendo un favorito del jazz desde entonces. Arregla...

Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, spac...

'Vending Machine isn't Broke' is an excellent contemporary chart for big band by Craig Skeffington. Written in a modern straight 8th style, it features all sections of the band with improvisational sp...

'Avalon' is a 1920s jazz-era chart by Vincent Rose and Buddy DeSylva, written originally as an advertisement for the California resort town, and has found fame as a virtuosic showcase for big bands an...

The catchy and funky groove of New Orleans second-line style is beloved not only by the locals, but listeners worldwide. Kris Berg’s "Rampart Street Revival" is an energetic, re-imagining of the class...

First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin' version for vocal so...

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's version from 1957 caught everyone's attention recently thanks to the television commerc...

Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's version from 1957 caught everyone's attention recently thanks to the television commerc...

Best known for his work with the Bill Evans Trio - as well as luminaries such as Billie Holiday, Benny Goodman, and Stan Getz - Chuck Israels is also a masterful composer and arranger. Here is his voc...

Compuesta originalmente para la película de 1935 Top Hat (Sombrero de copa), protagonizada por Fred Astaire y Ginger Rogers, este clásico ha seguido siendo un favorito del jazz desde entonces. Arregla...

Originally composed for the 1935 movie Top Hat starring Fred Astaire and Ginger Rogers, this classic has remained a jazz favorite ever since. Arranged in a very comfortable key for female vocalists, t...

Esta melodía estándar de 1945 siempre ha sido una de las favoritas de los músicos de jazz. Con una melodía atemporal, partes de fondo bellamente marcadas y un estilo de swing medio, esta carta destaca...

Cálidos pads de metales, hermosas orquestaciones que incluyen trompetas de cubo silenciado, guitarra y vibráfono y una exuberante partitura de saxo crean el telón de fondo para este hermoso arreglo de...

Compuesto originalmente para el musical francés Los paraguas de Cherburgo y grabado por muchos grandes artistas como Connie Francis y Chér, este arreglo de swing para voz y banda de jazz entra y sale...

720 in the Books es un tema lleno de swing que entusiasmará a cualquier vocalista y conjunto de jazz. Este estupendo tema de Dave Wolpe está arreglado en dos tonalidades para mayor flexibilidad, e inc...

A great jazz standard that really hits the mark. The chart is played around 124 BPM with lead trumpet range to written B above the staff, and solo space for tenor 1 with a sample solo provided. The de...

Un gran estándar de jazz que realmente da en el blanco. El gráfico se toca alrededor de 124 BPM con rango de trompeta principal a B escrito por encima del pentagrama, y el espacio para el solo de teno...

A great jazz standard that really hits the mark. The chart is played around 124 BPM with lead trumpet range to written B above the staff, and solo space for tenor 1 with a sample solo provided. The de...

A Latin straight-eighth groove played at 125 BPM. Lead trumpet range is to written G-sharp on the staff, suggested written solos provided for flexibility for C, B-flat, E-flat, and bass clef instrumen...