Partituras medio para Canto
Step into the delightful charm of the 1920s with "Perfect Young Ladies" from Sandy Wilson’s acclaimed musical classic *The Boy Friend*. This stylish arrangement for voice and piano perfectly captures...
Step into the delightful charm of the 1920s with "Perfect Young Ladies" from Sandy Wilson’s acclaimed musical classic *The Boy Friend*. This stylish arrangement for voice and piano perfectly captures...
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Won't You Charleston, written by Sandy Wilson, from 'The Boy Friend', arranged for voice and piano.
Won't You Charleston, written by Sandy Wilson, from 'The Boy Friend', arranged for voice and piano.
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Nickel Under The Foot, from 'The Cradle Will Rock', written by Marc Blitzstein, and arranged for voice and piano.
Nickel Under The Foot, from 'The Cradle Will Rock', written by Marc Blitzstein, and arranged for voice and piano.
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Regency Rakes, written by Noel Coward, taken from 'Conversation Piece', arranged for voice and piano.
Regency Rakes, written by Noel Coward, taken from 'Conversation Piece', arranged for voice and piano.
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The Cradle Will Rock, from 'The Cradle Will Rock', written by Marc Blitzstein, and arranged for voice and piano.
The Cradle Will Rock, from 'The Cradle Will Rock', written by Marc Blitzstein, and arranged for voice and piano.
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The Spaniard That Blighted My Life, written and performed by Billy Merson and arranged for voice and piano.
The Spaniard That Blighted My Life, written and performed by Billy Merson and arranged for voice and piano.
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There's Always Something Fishy About The French, written by Noel Coward, from 'Conversation Piece', arranged for voice and piano.
There's Always Something Fishy About The French, written by Noel Coward, from 'Conversation Piece', arranged for voice and piano.
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Pierrette ! Pierrot ! written by Mirrie Hill with words by Olive Ingall and arranged for voice and piano.
Pierrette ! Pierrot ! written by Mirrie Hill with words by Olive Ingall and arranged for voice and piano.
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Ballooning, written by Jerome Kern with words by Paul West, arranged for voice and piano.
Ballooning, written by Jerome Kern with words by Paul West, arranged for voice and piano.
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Beautiful Isle Of Somewhere, written by John S Fearis with words by Mrs Jessie Brown Pounds, arranged for voice and piano.
Beautiful Isle Of Somewhere, written by John S Fearis with words by Mrs Jessie Brown Pounds, arranged for voice and piano.
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The Blind Boy, written by G W Moore with words by R Lee, as sung by GH Chirgwin arranged for voice and piano.
The Blind Boy, written by G W Moore with words by R Lee, as sung by GH Chirgwin arranged for voice and piano.
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Bow Belles (from 'Blue Eyes'), written by Jerome Kern with words by Graham John, arranged for voice and piano.
Bow Belles (from 'Blue Eyes'), written by Jerome Kern with words by Graham John, arranged for voice and piano.
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By A Waterfall, written by Sammy Fain, with words by Irving Kahal from 'Footlight Parade', arranged for voice and piano.
By A Waterfall, written by Sammy Fain, with words by Irving Kahal from 'Footlight Parade', arranged for voice and piano.
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By The Beautiful Sea, written by Harry Carroll, with words by Harold Atteridge and arranged for voice and piano.
By The Beautiful Sea, written by Harry Carroll, with words by Harold Atteridge and arranged for voice and piano.
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A Song Remembered, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of F Major.
A Song Remembered, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of F Major.
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Pity Me, written by Sidney Lippman with words by Sylvia Dee, arranged for voice and piano.
Pity Me, written by Sidney Lippman with words by Sylvia Dee, arranged for voice and piano.
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Plesant Grounde, music by Leslie Walters with words by an unknown author and arranged for voice and piano.
Plesant Grounde, music by Leslie Walters with words by an unknown author and arranged for voice and piano.
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America, The Beautiful, written by Samuel A Ward with words by Katharine Lee Bates and arranged for voice and piano.
America, The Beautiful, written by Samuel A Ward with words by Katharine Lee Bates and arranged for voice and piano.
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The traditional Let Him Go, Let Him Tarry, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional Let Him Go, Let Him Tarry, arranged by Dudley E Bayford for voice and piano accompaniment.
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The traditional Oft In The Stilly Night, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional Oft In The Stilly Night, arranged by Dudley E Bayford for voice and piano accompaniment.
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The traditional work Sarie Marais, arranged by Dudley E Bayford for voice and piano accompaniment.
The traditional work Sarie Marais, arranged by Dudley E Bayford for voice and piano accompaniment.
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The Barber Of Seville, written by Maurie Rubens and Carlton Kelsey with words by Clifford Grey and arranged for voice and piano.
The Barber Of Seville, written by Maurie Rubens and Carlton Kelsey with words by Clifford Grey and arranged for voice and piano.
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Belle Of The Ball, written by Leroy Anderson, and arranged for voice and piano.
Belle Of The Ball, written by Leroy Anderson, and arranged for voice and piano.
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Evenin', written by Harry White with words by Mitchell Parish, and arranged for voice and piano.
Evenin', written by Harry White with words by Mitchell Parish, and arranged for voice and piano.
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I Would If I Could But I Can't, written by Bing Crosby, Mitchell Parish and Alan Grey and arranged for voice and piano.
I Would If I Could But I Can't, written by Bing Crosby, Mitchell Parish and Alan Grey and arranged for voice and piano.
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