Partituras medio para Conjunto de cuerda

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

The three-movement overture is a succinct work full of contrasts. The 3rd movement Paesana imitates the popular violin-playing of Scotland that Barsanti got to know there (from the age of 24, he lived...