Partituras medio para Conjunto mixto

Flauta, Violín, Viola, Violoncello - juego de partes; edición Urtext

Cuarteto de oboes. Urtext de la Nueva Edición Mozart. Oboe, violín, viola, violoncello - juego de partes; Edición Urtext

Reconstrucción de un concierto solo perdido después de BWV 1060 - Reconstrucción después de BWV 1060. oboe solo, violín solo, cuerdas, bajo continuo - reducción para piano

Urtext de la Nueva Edición Schubert. Violín, viola, violonchelo, contrabajo; piano - partitura; juego de partes; edición Urtext

Aria de concierto sobre textos de Wilhelm Müller y Helmina von Che'zy. Urtext de la Nueva Edición Schubert. Soprano solista, clarinete en si bemol, piano - contiene reducción para piano y parte suelta...

Streicher- und Flötenquartett-Fassung. Ausgabe für die Praxis nach dem Urtext der Telemann-Werkausgabe. Violine 1/ Flöte, Violine 2, Viola, Basso continuo - Partitur; Stimmensatz; Urtextausgabe

Festlicher Chor. Schlusssatz der Hymne an die heilige Cäcilie. Gemischter Chor-SATB, Klavier/ Orgel/ Trompete (2), Posaune (2) - Partitur; Chorpartitur

> Primera publicación de este arreglo Parte solista separada, como era habitual en la época de Beethoven Nuevas perspectivas para los pianistas Publicado en papel por primera vez El hecho de que este...

Das Opus 81 gehört seit Langem zu den international meistgespielten Kammermusikwerken überhaupt. Die vorliegende Ausgabe basiert auf der 'Gesamtausgabe der Werke Antonín Dvoráks', das neue, ausführlic...

> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...

> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...

Eliza Aria by Elena Kats-Chernin has become a worldwide success. Composed for the fairy-tale ballet Wild Swans choreographed by Maryl Tankard in 2003, it has become internationally known as theme melo...

Composer's note: 'In 2000 I wrote a piece called Sand Waltz for the Canberra Wind Players. In the middle of it I wrote a four-chord progression. When I started working on the ballet Wild Swans (2003)...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

An oriental atmosphere pervades this work. The cattle-drivers slowly approach the market; the cries of beggars are heard across the bustle. The beautiful princess enters carried by her servants - she...

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...

Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...

Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...