Partituras medio para Conjunto mixto

Giovanni Sammartini's wonderful Concerto No. 1

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and electric bass guitar.

The organ is played from the vocal score.

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

Luminosity is commissioned by the conductor James Jordan of Westminster Choir College for the Westminster Williamson Voices, the women of the Westminster Schola Cantorum, the Blair Academy Singers (co...

A beautiful and enjoyable set of Pastel Pictures written between 1985 and 1986 for Medium Voice, Flute, Clarinet, Guitar and Drums, by Bo Holten. He has carefully and effectively set a number of Germa...

Valsevrk II - En idyl for Vibrafon og sangstemmer for Mixed Choir SATB and Vibraphone was composed by Bo Holten in 1985.

This work was commissioned for Michala Petri by the Carnegie Hall Corporation, in honour of Carnegie Hall's Centennial Season. The world premiere was given in Carnegie Hall's Weill Recital Hall, New...

Guitar Concerto Opus 67 was commissioned by Julian Bream who gave the first performance in Aldeburgh with the Melos Ensemble. It is an overt tribute to Jazz and especially to Django Reinhardt. This is...

Originally composed for Flute and Digital Delay, Narcissus was first performed on 15th January 1988 at the Purcell Room, London by Janet Larsson.

Canta, Canta! is a slow and expressive piece for Clarinet, Cello and Piano by Thea Musgrave. This short song is taken from Cantata for a Summer's Day, written in 1954 while the composer was a student...

Les Cloches De Monsigneur Grieg (1993-99) for small Symphony Orchestra by Asbjørn Schaathun. 'Edvard Grieg's 'Bell Ringing' for Piano Op. 54, No. 6... seen through Monsigneur A. Schaathun's half shut...

Written for three female voices (or female choir), crotale, violin and cello.

Territorial Song - Clarinet Trio no. 2 for Bass Clarinet, Cello and Piano was composed by Pelle Gudmundsen-Holmgreen in 1995-97.

For Flute, Oboe, Cello and Harpsichord. Parts available: GS22494. Also includes performance notes by the composer.

Scored for a small chamber group, this is the miniature study-score edition of a pair of short pieces that celebrate the best in Australian wines! The pieces were written by Peter Maxwell Davies for t...

Pocket score for Carl Nielsen's Serenata-Invano. It was composed in May 1914.

Eihei-Ji was expertly composed by Hilda Paredes for Soprano Recorder, Tenor Recorder, Bass Recorder and Electronics. Hilda Paredes is one of the leading Mexican composers of her generation. Her music...

Work for Flute, Oboe, Cello and Harpsichord.

Completed in 1977, Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello, Clarinet and Piano by Karl Aage Rasmussen, one of the most important post-war Danish compose...