Partituras medio para Coro mixto

On a text of Robert Burns, Stuart Calvert sets this traditional Gaelic tune for mixed chorus and piano. Try the piece with a set of love songs on your spring concert. This is a great piece for chamber...

Canadian composer Stuart Calvert is a master with folk settings. This is no exception. Here we have a traditional Scottish melody arranged for mixed chorus with a beautiful piano accompaniment. Notice...

Without doubt one of the highlights of my choirs 2003 USA Tour, this arrangement gives the bass solo the tune and the choir and piano complete the effect.

This is one of my favourite folk tunes and here has a grand send off - works well with organ.

Movement 1 from the larger work, Over Jordan. The brilliant William Averitt has put his dynamic spin on this hymn using challenging but achievable vocal lines paired with truly unique and masterful fo...

Movement 4 from the larger work, Over Jordan. The brilliant William Averitt has put his dynamic spin on this folk hymn using challenging but achievable vocal lines paired with truly unique and masterf...

This is the third setting of words by Octavio Paz (Water Night; Cloudburst) from this successful young California composer. Little Birds pays homage to Gabriel Fauré with its running piano part and fl...

John Leavitt ha plasmado brillantemente este texto de la liturgia judía en esta nueva obra original para coro. Con un sencillo mensaje de paz, es una obra apropiada para tiempos difíciles. La instrume...

Version for Mixed Chorus, from G. Schirmer's Library of Secular Choral music.

A great closer for a concert. A fresh take on a popular Negro Spiritual.

A compilation of three gospel choruses by Henry Mollicone. Glory Day! from the opera Gabriel's Daughter and Now I Can See the Light! were both inspired by texts. Both are fast and joyful, while the th...

Acallam na Senórach, by Tarik O'Regan, was co-commissioned by the National Chamber Choir of Ireland, The DeBartolo Performing Arts Center at University of Notre Dame, Indiana, and Peak Performances at...

Stacey Gibbs' setting of My God Is a Rock is dynamic and challenging, while still upholding the authenticity of the spiritual. Texturally captivating and unique in its construction. Features two trebl...

This arrangement of the beloved 18th-century spiritual fuses folk and jazz ideas to create a unique new version of the work. For more advanced choirs and a good soloist, this will fit a variety of pro...

Schoepsdaus neuestes Werk für Jazz-ambitionierte Chöre! Groovige Rhythmen und Bigband-Sound prägen dieses englischsprachige Stück. In Funk-, Jazz- und Soul-Stilistik ist das Magnificat (Lukas 1, 46-55...

Well suited as an opener, anthem or closer, this work has multiple use for high school and beyond, and for church choirs as well. Optional brass quintet and timpani adds vibrant excitement to this jub...

Based on I Corinthians chapter 15, this majestic anthem is a perfect way to begin Easter Sunday. Written for piano or organ, the bold accompaniment helps to proclaim the message.

A serious and intense, rhythmically driven work that can be accompanied by piano, organ, or string ensemble. For experienced choirs, this would work well at Easter. In Latin.

With the Latin text from the Book of Psalms, this piece offers interesting rhythms, making it a strong opening number in concert or festival performance. For mature high school and beyond, this challe...

For those looking for a distinguished selection by maestro F. J. Haydn (1732-1809), this last movement in the St. Nicholas Mass is the perfect choice for choirs with accomplished soloists. It features...

This modern worship song by Paul Baloche has become a staple for congregations everywhere. Here it is in an accessible SAB voicing, masterfully arranged by Marty Parks. Choirs of any size will embrace...

Composer Nancy Hill Cob and her sister, poet Ernestine Hill Clark, have produced a gripping cantata for chorus and orchestra or keyboard. Approximately 27 minutes in length, the interesting combinatio...

Lee Scott, one of the foremost composers in music for the church, wrote this celebratory rhythmic work for mixed voices with piano, great for Thanksgiving or general use.