Partituras medio para Orquesta de cuerda

Featuring mistuned solo violin playing an eerie, melancholy motive, this largely repetitive work consists of two contrasting themes with variations. The harmonic scheme is especially intriguing and fu...

This masterpiece should be played by every string player. Now string orchestras can experience the genius of Ludwig van Beethoven in this grade 4 arrangement. Students and audiences will love the enge...

This powerful example of Russian national influences on 19th century string writing opens with a short, quiet Andante before the brisk Allegro (quarter note = 138) takes over, where a light feeling of...

Esta adaptación de una de las mejores obras de Johann Sebastian Bach es un éxito garantizado para las orquestas de cuerda de grado 3. El material original se titula "Tocata y fuga en re menor", pero l...

Featuring key themes from Vivaldi's choral masterwork, this arrangement in the original key of D major is marked by driving rhythms and clarity. In his score notes arranger Alshin explains the importa...

I. El Palacio del Emperador, II. Una canción para la princesa, III. La marcha de los dragones

I. El Palacio del Emperador, II. Una canción para la princesa, III. La marcha de los dragones

Named for a speedy sleigh commonly drawn by three horses in Russia, this exhilirating theme in D will brighten any holiday or winter program. Though this version includes many double stops in the uppe...

The music of Mendelssohn is delightful to hear, but often challenging to perform. This selection, however, is accessible for developing string orchestras. The cellos and basses will find it particular...

This lively gem from Johann Sebastian Bach's Orchestral Suite No. 2 serves as a great introduction to the immortal master's music since the counterpoint is not too complex and the style is thoroughly...

Three standout movements are included in this arrangement of Camille Saint-Saëns' famous work. Royal March Of The Lion, The Elephant (features cello and bass), and Fossils are in very playable keys an...

High energy and strong rhythms in three time signatures (4/4, 5/4 and 3/4) describe the ever-forward momentum of this creative original. The modal opening and closing sections are separated by a lyric...

We welcome Joshua Reznicow to the Kendor family of writers with this festive original that sounds more difficult to play than it is. Written in G major and its relevant minor key, it gives directors a...

Harmonized Rhythms is dedicated to the progressive and systematic study of rythms in a totally melodic and harmonized format. The primary focuse of Harmonized Rhythms is to teach rhythmic precision th...

This original work is destined for contest and festival repertoire lists. It was commissioned by the Ohio Music Educators Association Dist. II Jr. High Festival Committee.

Based on an Irish Fiddle tune brought to the U.S., this high-energy piece is fun for all players! It's in A minor and doesn't require shifting except for a few spots in the bass part.

Three contrasting movements entitled, Open Lands, Lake Brave, and The Huntá comprise Mr. Hofeldt's newest work.

Powerful from beginning to end, veteran composer Joshua Missal evokes the images of gladiators and their challenges.á Also including snare, drum, bass drum and triangle, the composition also features...

This tranquil arrangement of the Austrian Christmas carol is filled with sonorous melodies and lush harmonies. Grade 3, 3:00

Henri Vieuxtemps began composing at the age of eight, initially in rather improvisatory manner on the violin. In the Air varié No. 3, presented here for the first time in print, which was composed in...

The Airs variés No. 2 and No. 4 by the Belgian Henri Vieuxtemps, published here for the first time, stand as fascinating testimonies to an early developing major talent as violinist and composer. Both...

This is the big beautiful piece for that special quiet place in your next concert or festival. Inspired by the inscription on a James Dean statue. Unforgettably moving!

The most well-known aria from English Purcell's (1659-1695) three-act tragic opera Dido and Aeneas, Dido's Lament (also "When I am laid in Earth") is sung by the title character near the end of the op...

The most well-known aria from English Purcell's (1659-1695) three-act tragic opera Dido and Aeneas, Dido's Lament (also "When I am laid in Earth") is sung by the title character near the end of the op...