Partituras medio para Orquesta de viento

The heroic and powerful Fanfarria, Op.50 was commissioned and premiered by the Alicante Municipal Concert Band in 2012 to commemorate their first centennial. The main epic theme is introduced by the t...

This is a work in opening fanfare style. The piece is characterized by a vision of the hawk flying. During the work we can feel the wind to rip its wings, the frenzy of the hunt, the speed of the nose...

 The Great Valor ' is a piece full of energy. Ideal for a modern concert opening, it will dazzle the public with the bright brass and the omnipresent woodwind rockets. The title of this piece is a ref...

Amni Imosite, an Overture whose melodies and sound effects seek to pay homage to the composer's hometown, Amposta. This composition earned him the award of the AMPOSTA AWARD 2021 for his career, comme...

Overture for a celebration was composed in 2003. It is divided into three sections with an Introduction and a final Coda. The second part, in a slow tempo, features a motif introduced in the previous...

Inspired by the success of Jacques Offenbach's operettas in Vienna, Franz von Suppé (1819-1895) began composing his first stage works in 1860. His comic opera "Isabella", from 1869, was premiered in V...

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This piece was commisioned by The Norwegian Band Federation - Northwestern Region for an summer festival in Eid. Intrada Orientale recieved it's first performance there in 2012. It is a concert-opene...

'Light' is a short concert piece written in 2008 and includes melodic themes, technique passages and solos. The main 'Light'-theme is written by two friends, processed and orchestrated by Fredrick Sch...

Escrito en un rápido dos, este Show-Style Opener hace honor a su título con gran parte del material temático del tema de apertura cediendo a los metales, mientras que las maderas intercalan florituras...

Right from the beginning, this dynamic overture explodes with intensity and rhythmic drive. Commissioned by District 8 of the Michigan State Band and Orchestra Association, John Moss uses angular melo...

Abra (o cierre) su próxima actuación con esta obra intensamente rítmica pero melódica en 5/4. Un derviche de líneas de viento madera marca el tono, seguido de una poderosa declaración de metales que t...

Alfred Reed, Grades 3-5.