Partituras medio para Orquesta sinfónica

Two appropriate works, 'Deep River' and 'Shall We Gather at the River,' were chosen as musical witnesses to our common bonds in this life and beyond. A stirring arrangement for intermediate orchestra,...

Two appropriate works, 'Deep River' and 'Shall We Gather at the River,' were chosen as musical witnesses to our common bonds in this life and beyond. A stirring arrangement for intermediate orchestra,...

From Cavalliaria Rusticana by Pietro Mascagni, this beautiful ballad contains flowing melodic material that is reinforced with varied textures in the optional wind parts. Dynamic shadings contribute t...

From Cavalliaria Rusticana by Pietro Mascagni, this beautiful ballad contains flowing melodic material that is reinforced with varied textures in the optional wind parts. Dynamic shadings contribute t...

The work is a tone poem representing the beauty and serenity of the early autumn evenings in the western provinces of Canada. A number of tranquil effects are enhanced with the addition of wind and pe...

The work is a tone poem representing the beauty and serenity of the early autumn evenings in the western provinces of Canada. A number of tranquil effects are enhanced with the addition of wind and pe...

A superb Robert W. Smith creation built on the foundation of the Ionian mode. A wonderful opportunity to teach the history of this mode through performance literature. As the title implies, the melodi...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe

This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

Stimmensatz - Oboe I; Oboe II; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

Gabriel Fauré’s "Pavane" is one of his most popular compositions. What is less known, however, is that the premiere of this stylized dance in April 1888 was actually performed in this present version...

Gabriel Fauré’s "Pavane" is one of his most popular compositions. What is less known, however, is that the premiere of this stylized dance in April 1888 was actually performed in this present version...

La suave luz de la madrugada, el canto de las cigarras y el seductor aroma del tomillo: "Matinée de Provence" describe una mañana en Provenza, desde los primeros rayos de sol hasta el agobiante calor...

La suave luz de la madrugada, el canto de las cigarras y el seductor aroma del tomillo: "Matinée de Provence" describe una mañana en Provenza, desde los primeros rayos de sol hasta el agobiante calor...

La suave luz de la madrugada, el canto de las cigarras y el seductor aroma del tomillo: "Matinée de Provence" describe una mañana en Provenza, desde los primeros rayos de sol hasta el agobiante calor...

La suave luz de la madrugada, el canto de las cigarras y el seductor aroma del tomillo: "Matinée de Provence" describe una mañana en Provenza, desde los primeros rayos de sol hasta el agobiante calor...

Con su composición "L'Aurore" (La Aurora) en 1905, Maurice Ravel inició su quinto y último intento de ganar el codiciado "Prix de Rome" de la Académie des Beaux-Arts de París. Su nueva eliminación en...

El programa de Carus sobre la música cortesana de Dresde continúa con la primera edición de una de las grandes misas (nº 9, re mayor) de Johann David Heinichen, el representante musical más importante...

A sacrilege or a stroke of genius? The composer and music director Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of the famous 'Moonlight Sonata' by Beethoven (transposed to C mi...