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Colin Matthews’s Berceuse and Sarabande – together lasting 8 minutes – form the final two movements of his Suite for piano. Composed between 1976 and 1979 the five piece that make up the suite may be...

Although, as the title of these bold studies from 1987 implies, they are all fast, they are not in the first place studies in pianistic virtuosity, so much as studies in various ways of composing fast...

Composed in the mid-70s, these Five Studies for piano offer a fascinating insight into the early musical interests of Colin Matthews – the fifth, in particular, showing the influence of American minim...

In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...

In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...

In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...

In this solo piano piece from 2000, Peter Sculthorpe recalled his childhood in Tasmania, and the travelling fairs that would set up each year opposite his family shop. For a penny, he would select a s...

The Rose Bay Quadrilles were originally written by William Stanley in 1885 to mark the occasion of the laying of the foundation stone of Woollahra House in Sydney. Sculthorpe, who lived most of his pr...

Matthew Hindson composed this riotous 6-minute work for piano with optional electronic bass drum in 1994. A virtuoso tour-de-force of seismic energy. ‘The brave new world of pianism was invaded with a...

Influenced by the ecstatic pure melody of the Japanese Shakuhachi and the soft, infinitely subtle tones of Javanese Gamelan, Anne Boyd’s Angklung is music of radical simplicity: it employs only four n...

Hearts And Flowers, composed by Theodore Tobani, arranged for piano solo.

King Cotton March composed by John Philip Sousa, arranged for piano solo by Henry Levine.

Haiku, composed by Jonathan Harvey. Arranged for piano solo in digital sheet music format.

A paraphrase in the manner of Liszt or Busoni, this brilliant, quick-witted reworking of music from four scenes of Adès’s scandalous – and hugely successful ­ ­– first opera Powder Her Face is a virtu...

Le Café À Chamonix, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

O'Branigan's Bar, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Delores, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Chez Kate, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

John O'Groats, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Gervaise, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Thetis Island, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

The Spirit Of Pohutukawa, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

City Lights, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Abel Tasman, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Le Poulet, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.