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Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...

Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...

Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...

Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...