Encuentre las mejores Partituras para Coro mixto (SATB) y piano

This new take of God Rest You Merry Gentlemen called Tidings of Comfort and Joy sets the stage for holiday cheer with a familiar beginning before seamlessly transitioning into a lively 6/8 feel, infus...

This new take of God Rest You Merry Gentlemen called Tidings of Comfort and Joy sets the stage for holiday cheer with a familiar beginning before seamlessly transitioning into a lively 6/8 feel, infus...

A setting of a poem by e e cummings, scored for Flute, Oboe, Clarinet in Bb, Horn in F, Trumpet in Bb, Percussion [2] (Triangle, Tubular Bells, Vibraphone, Glockenspiel, Suspended Cymbal, Crash Cymbal...

A lovely new setting of the text by Phineas Fletcher (1580-1650) for SATB choir unaccompanied. Drop, drop, slow tears, And bathe those beauteous feet Which brought from Heaven The news and Prince of...

This stunningly beautiful carol was the winning entry in the BBC Radio 3 Carol Competition in 2018. The words are by Scottish poet and playwright and Poet Laureate Carol Ann Duffy. 'Silently on Christ...

Tomas Luis de Victoria's O Magnum Mysterium is a beautiful piece for four-part (SATB) choir a cappella and has been edited by Alice Parker and Robert Shaw. A piano accompaniment part has been scored f...

Riqui Riqui Riqurran is a lively and exciting Venezuelan folk song, which has been beautifully arranged for four-part (SATB) chorus by Gregg Smith. This version can be sung a cappella or with a string...

Diese eindrucksvolle Pop-Ballade im A-cappella-Style ist ein hymnischer Song an die freundschaftliche Verbundenheit von Menschen. Ein Chorhit für viele Gelegenheiten, der Singende und Ihr Publikum gle...

Der Text zu Stormy Seas erzählt plastisch vom Auf und Ab des Lebens, und die Musik zeichnet diese in Wellen melodisch nach. Die polyphone Satztechnik dieses variierten Strophenliedes mit Refrain biete...

Vocal score for Donald Swann's A Modern Te Deum for unaccompanied SATB choir. Edited by Paul Steinitz.

This Nigerian carol, sung a cappella or with optional percussion (conga, bongos, tambourines), is a remarkable piece, with the original Yoruba text throughout. A pronunciation guide is included.

This Nigerian carol, sung a cappella or with optional percussion (conga, bongos, tambourines), is a remarkable piece, with the original Yoruba text throughout. A pronunciation guide is included.

A setting for unaccompanied SATB choir. Words by Lydia Smallwood.

Fourteen traditional and modern Christmas texts, all set by contemporary composers for various choral combinations and levels of accomplishment. Includes works for Unison, SSA and SATB choirs, accompa...

Jesu, Priceless Treasure is one of very few Bach motets which are in five parts. Of all of Bach's motets it is the longest, the most varied, and has the greatest emotional range. It is founded on the...

Five settings of texts by Alan Porter for SATB Chorus a cappella.

Described by the composer as 'a prayer for sanity, a cry in the wilderness to a god who may or may not be there', this unconventional Mass (with new words) is written in the context of a world where m...

A collection of chords for unaccompanied SATB choir, to be performed in a sequence determined by the choir leader.

The Prince of Sleep, to words by Walter de la Mare is a languid setting, capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especiallywoodland) a...

Geoffrey Bush's Summer Serenade is a refreshingly enjoyable work, written on the wing of inspiration, essentially sunny and life-enhancing. The eclectic style is readilydiatonic, the harmonies never m...

John Joubert's O Eternal God arranged for SATB choir unaccompanied. Commissioned by Nicholas Fisher for the Choir of Gloucester Cathedral in celebration of the composer's 90th birthday on 20 March 201...

Setting the text of Thomas Allain (after Song of Songs), this work is scored for unaccompanied SATB choir. A perfect anthem for a wedding ceremony.

A setting of three verses from Psalm 96 for unaccompanied mixed voices. The work was commissioned by Tórshavnar Kamarkór (Tórshavn Chamber Choir) of Tórshavn, Faroe Islands and first performed on 1 Ju...