Encuentre las mejores Partituras para Coro mixto (SATB) y piano

This Christmas anthem opens with the refrain of 'Angels We Have Heard on High' offering an opportunity to include a children's choir along with the adults. Both groups then join together in the middle...

This Christmas anthem opens with the refrain of 'Angels We Have Heard on High' offering an opportunity to include a children's choir along with the adults. Both groups then join together in the middle...

Una nueva edición de la popular serie Christmas with the Singers. Este arreglo es alegre, festivo y divertido de cantar. Puede interpretarse con arpa en lugar de piano y un brillante oboe opcional.

This sweetly gentle octavo would be great for any Sunday, for mixed voices with handbells (3 octaves, handbell parts included in octavo. Keyboard optional.

A state and festival piece by David Schwoebel that incorporates the hymn tune, showy, but not difficultSATB, piano accompaniment, optional organ and brass, optional congregation

Instrumentation: piano or harp and oboe, or woodwind quartet of flute, oboe, clarinet, and bassoonThis familiar text is set to a traditional tune from Normandy. The score and quartet parts are availab...

Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe, or for a quintet of flute, oboe, clarinet, horn in F, bassoon, and a harp. Try this piece al...

This is a highly successful arrangement of the traditional tune from the 1582 Pie Cantiones the piece is set for mixed chorus with piano or harp and oboe, or a quintet of flute, oboe, clarinet, horn i...

A church musician himself, Neil Harmon writes exceedingly well for the church choir. As is the case here, many of his seasonal works are accompanied by a chamber ensemble (here for flute, clarinet, F...

In Bill Snedden's setting of this beloved text, he pairs it with a lovely new tune for SATB chorus with harp or piano and optional flute, a great addition to any holiday concert.

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

Así que llenadme la copa de despedida. Buenas noches y que la alegría esté con todos vosotros. Esta canción tradicional celta es un maravilloso cierre o bis para un concierto. Opt. flauta u otro instr...

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This beautiful and much-loved Somerset folk-song was originally from No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter. Offprinted from John Rutter Choral Works for TTBB choirs.

The text for Dreamweaver is based on parts of the well-known Norwegian medieval folk poem Draumkvedet, an epic ballad that has a lot in common with Dante's The Divine Comedy. The protagonist, Olav Åst...

From the Accent On Youth Series. An accessible anthem in the style of a spiritual, a showy piece for SATB with keyboard and optional trumpet and percussion