Encuentre las mejores Partituras para Coro mixto (SATB) y piano

This setting of Cesar Franck's exquisite Latin hymn will enhance many concerts with a high, floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe, harp and string...

Here's an anthem of assurance and affirmation of faith. The beautiful piano and solo violin accompaniment adds richness to the overall effect. This I know, I Have a Savior, Jesus Christ, Who Died for...

For Pentecost season, this reverent work can be performed with a flute or any other 'C' instrument

Lovely new version of the beloved Psalm set gracefully by Valerie Showers Crescenz for mixed voices, flute, and piano.

Donald McCullough is both a church musician and conductor of the Master Chorale of Washington, D. C. He writes equally well for both large and small forces. This church anthem, with texts from Isaiah...

Hank Hinnant brings us another winner for the small church choir. For general use, Pentecost, Christ the King, or almost any festive occasion, works well with or without the C instrument.

This piano prelude was played at the funeral of Frederic Chopin. Here, composers Green and Crescenz take the well known from Psalm 130 and provide an amazing expression of 'from the depths, I have cri...

A sacred/concert setting from second Peter for narrator and advanced chorus

From our Baptist Festival Singers Choral Series comes this accessible piece for youth choirs. Based on Psalm 25, it features a thoughtful prayer and a spirited lleluia section.

Uses: General, Lent, Pentecost Scripture: I Kings 19:11; Psalm 46:10 The still small voice that is the ministry of God's Spirit in our hearts is compassionately presented in this Dengler masterpiece....

Uses: Advent, Christmas Scripture: Psalm 5:3; I Corinthians 2:9; Luke 1:28-80 This is a stunning new Christmas declaration that is destined for the bestseller list. Full of theatrical gestures thiseng...

Uses: Advent, Christmas Scripture: Psalm 5:3; I Corinthians 2:9; Luke 1:28-80 This is a stunning new Christmas declaration that is destined for the bestseller list. Full of theatrical gestures thiseng...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Faure's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Fauré's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

This Christmas meditation is a breathlessly quiet mood-piece, chantlike and slow moving.

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...

Unas majestuosas líneas vocales y un majestuoso obbligato de trompa se combinan con un texto conmovedor en esta apasionada llamada a la justicia combinada con una fe tranquila y firme.

Stately vocal lines and a majestic french horn obbligato combine with a moving text in this impassioned call for justice combined with a quiet, steadfast faith.

La cantata "Wie schön leuchtet der Morgenstern" (BWV 1) fue compuesta el 25 de marzo de 1725, cuando la fiesta de la Anunciación coincidió con el Domingo de Ramos. Forma la conclusión de la cantata co...

Kantate zum 3. Sonntag nach Trinitatis. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Posaune (4), Pauke, Violine (2), Viola, Basso continuo - Klavier...

La cantata "Ich hatte viel Bekümmernis" fue compuesta hacia 1713 y probablemente el compositor la estrenó ese mismo año en la Liebfrauenkirche de Halle. Probablemente no fue asignada al tercer domingo...