Partituras para Coro mixto (SATB)

This anthem was commissioned in 2012 by Simon Winters to celebrate 25 years of the chamber choir Felicitas. Thinking about the unaccompanied vocal texture brought Will Todd back to his 1995 setting of...

Composed in 2011 for Katherine Dienes-Williams and the choir of Guildford Cathedral, Guildford Mass comprises the ordinary of the mass (Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) in English (Co...

Written on the occasion of a wedding in 2006, Love is beautiful indeed is a setting of a poem by Elizabeth Barrett Browning (1806-61), which is part of the tenth sonnet of her Sonnets from the Portugu...

This setting of the famous hymn words by Reginald Heber, a particularly suitable text for Epiphany, was written in memory of Benjamin Hutto, Director of Music at St John's, LaFayette Square, Washingto...

This contemplative and serene piece was commissioned as a retirement gift for Canadian organist and choir director, Paul Merrit, and first performed in 2016. The setting of the well-known biblical wor...

Commissioned by William Saunders for the Royal Hospital School, Ipswich, in 2013, Exalt us in Your love is loosely based on the words of that school's prayer. Choirs and listeners familiar with Will T...

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra it is a long-awaited sequel to the early...

These three jazz arrangements of well-known hymns were composed for Andrew Earis and the choirs of St Martin-in-the-Fields, London, on the occasion of various services and a BBC broadcast from that ch...

This energetic and danceable setting of Psalm 33, verses 1 - 4 (in modern English), 5 minutes in length, was commissioned by Worth School and Abbey in the UK in 2018. A highly attractive musical inter...

This is an approachable and affecting setting of a devotional poem by the revered Carmelite nun St Thérèse of Lisieux (1873–97). The choral writing, marked ‘placid’, comprises simple four-part homopho...

Escrita para el Servicio de Villancicos de Epifanía de 2025 de Radio 3 de la BBC, emitido desde el Pembroke College de Cambridge, Arise, shine presenta los tres primeros versos de Isaías 60: "Levántat...

La adaptación de una de las siete antífonas «O», «O Adonai», se basa en una figura ostinato de una sola nota que da inicio y pone fin a la composición, utilizando inicialmente las palabras del título....

Este himno fue un encargo de Anna Lapwood para el coro del Pembroke College de Cambridge, durante su mandato como directora musical, con motivo del 40.º aniversario de la admisión de mujeres en dicho...

Inspirada en los grandiosos y solemnes marcos del Ordinario de la Misa de la Francia de los siglos XIX y XX, la «Messe Solennelle» de Kerensa Briggs aporta una perspectiva contemporánea al género. Enc...

for two part children's voices and instruments Scoring: Treble instr 1, Treble instr II, bass instr, 2 perc (timps, sd or tamb, cymb, susp cym, trng, tamb or castanets), keyboard. Optional parts, tran...

Chorpartitur.

MacMillan's large-scale festival settings of the Magnificat and Nunc Dimittis can be performed with organ or orchestra. The Magnificat was commissioned by the BBC for the first Choral Evensong of the...

This setting was composed for the choir of the Chapels Royal, HM Tower of London, on the occasion of the Queen's Golden Jubilee in 2002. MacMillan approaches this well-known text (1662 Book of Common...

mit unterlegter Orgelstimme

Widely admired as one of MacMillan's finest achievements, this promises an absorbing and moving experience in concert, for performers and audience alike. This cantata follows Christ's final utterances...

Fauré's Messe Basse, first performed in a small French church in 1872, was originally written for women's voices. Rogers' new arrangement winningly adapts this magnificent music for mixed choir.