Partituras para Coro mixto (SATB)

Este pequeño himno para coro sin acompañamiento fue escrito como homenaje a Alexander Goehr en su 50 cumpleaños. Se trata de un poema de Robert Bridges que pone palabras en boca del ciego John Milton,...

SATB (divisi) a cappella

The path of love is not always sunlit. In Shades of Love, the music expresses a variety of emotions brought on by diverse stages of love: ecstasy, tenderness, bitterness, wistfulness, eternal devotion...

While the sopranos convey the text of the first half of Remember, the lower three voices softly echo the words 'remember me” like fleeting glimpses of past memories. The harmonic implications are rath...

The tune for Annabel Lee is an original one, but is treated as a folk song.The path of love is not always sunlit. In Shades of Love, the music expresses a variety of emotions brought on by diverse sta...

This We Know is thoughtful, earnest and subdued. The technical demands are not great, but musical and artistic sensitivity are paramount.

La Point expertly colors the expression of this traditional Latin text through a variety of compositional techniques as it evolves from a hollow, chant-like opening statement, to an urgent cry, the di...

Chorpartitur - mit Klavierbegleitung zu Probenzwecken.

Esta popular y juguetona primera selección de las Tres composiciones corales de Alicia en el País de las Maravillas vuelve a imprimirse.

With music evoking fanfares and introspective feelings alike, this setting of Psalm 8 expresses praise for God and the honor of being human.

The rich harmonies and natural, unstructured meter in this touching piece capture the sentiments of the text, which cautions us to "cast away the works of darkness" and "put on the armor of light." A...

James Biery's setting of the traditional 13th century Ave Maria text alternates between undulating motion and homophonic simplicity while hovering around a pedal-point G. Each of the two main sections...

mit Klavierbegleitung zu Probenzwecken -

Text: Liturgical. Year: 1999

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...