Partituras para Coro mixto (SATB)

In this version of the popular English hymn, Rutter adorns the well-known melody with an opening fanfare and soaring descant line over the final verse. Full scores and sets of parts for the brass ense...

Rutter's arrangement of the hymn O God, Our Help in Ages Past uses the hymn tune St. Anne to great effect. The verses alternate between choir alone and choir with congregation, building to an upliftin...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Fauré's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary, this impressive and stately setting of verses from Psalm 90 culminates in a jubilant, maestoso final sectio...

This poignant anthem combines the nineteenth-century poet and Christian minister George MacDonald's emotive poem Lost and Found with the 'In paradisum' antiphon from the Burial Service. An orchestrati...

The irresistibly joyful motet Lobet den Herrn, alle Heiden features concise contrapuntal writing and a sophisticated harmonic language, and John Rutter's edition includes helpful performance suggestio...

Experience one of the most beloved hymns in a radiant and uplifting setting: 'Love Divine, all loves excelling', published by Oxford University Press. Set to the famous Welsh tune 'Hyfrydol', this arr...

Bring solemn devotion and majestic beauty to your service with 'Glory to thee, my God, this night', published by the renowned Oxford University Press. In this masterful setting for mixed choir (SATB),...

An arrangement of the Passiontide hymn When I survey the wondrous cross, set to the tune Rockingham, with which these words have long been associated. Part of the Cambridge Singers Hymn series, it is...

Immerse yourself in a resonant and moving setting of Psalm 27: *The Lord is my light and my salvation*, published by Oxford University Press, masterfully unites mixed choir (SATB), organ, and an expre...

This Christmas meditation is a breathlessly quiet mood-piece, chantlike and slow moving.

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...

Experience the sublime soundscape of the French Baroque with Marc-Antoine Charpentier's evocative "Messe des Morts à 4 voix, en ré mineur". This sacred choral masterpiece captivates through its profou...

Unas majestuosas líneas vocales y un majestuoso obbligato de trompa se combinan con un texto conmovedor en esta apasionada llamada a la justicia combinada con una fe tranquila y firme.

Stately vocal lines and a majestic french horn obbligato combine with a moving text in this impassioned call for justice combined with a quiet, steadfast faith.

La cantata "Wie schön leuchtet der Morgenstern" (BWV 1) fue compuesta el 25 de marzo de 1725, cuando la fiesta de la Anunciación coincidió con el Domingo de Ramos. Forma la conclusión de la cantata co...

Kantate zum 3. Sonntag nach Trinitatis. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Posaune (4), Pauke, Violine (2), Viola, Basso continuo - Klavier...

La cantata "Ich hatte viel Bekümmernis" fue compuesta hacia 1713 y probablemente el compositor la estrenó ese mismo año en la Liebfrauenkirche de Halle. Probablemente no fue asignada al tercer domingo...

Bachs Kantate zum 1. Sonntag nach Trinitatis, erstmals aufgeführt im Jahr 1726, gehört zu den musikalisch reizvollsten Kompositionen des Thomaskantors. Der opulent angelegte Eingangschor veranschaulic...

La cantata de Bach para el primer domingo después de la Trinidad, estrenada en 1726, es una de las composiciones musicalmente más atractivas del cantor de Tomás. El opulento coro de apertura ilustra p...

Die Entstehung der Kantate 'Lobe den Herrn meine Seele' BWV 143 liegt weitgehend im Dunkeln. Als einzige Quelle galt lange Zeit eine Abschrift aus dem 19. Jahrhundert. Diese lag auch dem Notentext der...