Partituras para Coro mixto (SATB)

A serene 'a capella' work by this highly individual and talented young composer. Ethereal, slow-moving harmonies flow into inspired chord clusters. An excellent choice for weddings, memorial services...

'Musicke's Praier' draws together ten classic English prayer settings from the 16th and 17th centuries: a Golden Age in the history of English church music. From Tallis to Tomkins and Ford to Farrant,...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

Matthew Martin's setting of 'Adam Lay Ybounden' was first performed by the Choir of Westminster Cathedral at St. George's, Hanover Sqaure, London on December 19th 2006. Matthew Martin was educated at...

'Adoro te' is a hauntingly atmospheric setting of text by Thomas Aquinas, which has been translated into English by Bishop James Woodford. It's beautiful simplicity and relative brevity makes it an id...

Elizabeth I, 'Fair Oriana', was one of the most remarkable monarchs in English history: she was well educated, strong, fearless and wise. Towards the end of her reign a musical anthology entitled 'The...

SATB Unaccompanied For centuries, composers have been inspired by the beautiful 'O magnum mysterium' text depicting the birth of the new-born King among the lowly animals and shepherds. This setting f...

'Home' for SATB divisi is a strikingly atmospheric piece which conjures up the warm sensation of 'belonging' through slow incantation over ever-shifting and semi-improvisatory choral textures.

Spring in Winter by John Woolrich for SATB was commissioned for the expansive acoustic of King's College, Cambridge. Taking an extract from Christopher Smart's Hymn 32: The Nativity of Our Lord and Sa...

Remember, O Lord was written to mark the Fiftieth Anniversary of the Coronation of Her Majesty Queen Elizabeth II. Harvey's dark and sonorous tone creates an intense and majestic atmosphere. This piec...

Composed in 1997, Lauridsen's 'Ave Maria' is a texturally rich, eight-part setting of the most loved of Marian antiphons. This treatment recalls the sumptious polychoral music of Gabrieli as well as t...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

Peter Sculthorpe's program note reads as follows: 'Lullaby is based upon one of the number of indigenous Australian melodies collected by Dr H.C. Lethbridge during the 1930s and is a lullaby for child...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

It is conceived in grand and declamatory style, owing a respectful debt to the great motets of Bruckner. Formed in A-B-A structure, it uses block harmony in the outer sections for impact, whilst the c...

Composed in the mid-80s, this mesmerising choral tour de force is Hillborg's most performed work, and has been widely recorded. A study in ever-shifting tone colours, Mouyayoum draws its inspiration f...

Perfect at weddings and church services, this anthem by composer Matthew Martin is a new setting of Set me as a seal upon thy heart , which describes the power of love and the strength of bonds made i...

Commissioned by the Tallis Scholars, The Lamentations of Jeremiah is a prime example of Martin's exemplary choral writing. Combining complex harmonies and intricate, antiphonal rhythms Martin has crea...

Against these vivid flashes of joy and colour is set a chant - the Sanskrit of the Heart Sutra - which acts as a ground from which the ‘forms of emptiness' briefly emerge, and against which they...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong this work was first performed at Westminster Cathedral on 24 November 1999 by the Choirs of Westminster & St Paul's Ca...