Partituras para Coro mixto (SATB)

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Part-song for SATB A Cappella. Text: WB Yeats.

Composed in 1972 for SATB chorus unaccompanied. Piano accompaniment for rehearsal only.

John Tavener's 1986 setting of the Lord's Prayer for SATB choir unaccompanied. The piece is presented twice, with texts in English and Church Slavonic, and the structure is one of a bar-less rhythmic...

Tavener's 1987 work for unaccompanied SATB choir. Includes piano accompaniment for rehearsal purposes. This is a special item which is made to order. Please e-mail our Mail Order Department for furthe...

These two pieces for unaccompanied SATB choir were commissioned by Stephen Cleobury and the Choir of King's College, Cambridge. They were first performed in King's College Chapel on the 4th April 1987...

A work for 13-part unaccompanied SATB choir, with words by William Blake and music by John Tavener. The Tyger was written for Philip Sherrard for his 65th birthday. It was composed in Katounia, Greec...

A piece for unaccompanied SATB choir, the text of which is based on a line from St. Matthew 9:9. The music was written to represent the work of St. Matthew. In three mounting steps, the music represen...

For SATB Choir A Cappella. Edited by Patrick Little.

This work for unaccompanied SATB choir was commissioned for the opening of the 1990 City of London Festival. The performance was given on the 8th of July by the Choir of St. Paul's Cathedral conducted...

This motet for unaccompanied SATB choir was commissioned for the 500th anniversary of King's College, Cambridge. This is a setting in Greek of an Orthodox prayer to Christ as Son and Word, God and Man...

A carol for unaccompanied SATB choir by John Tavener, with words by Mother Thelka. This work was first performed in December 1989 at Westminster Abbey, London, by the Choir of Westminster Abbey conduc...

Corpus Christi, With Cat And Mouse is a setting of fragments selected from the Richard Hill Commonplace Book, an early 16th century manuscript in the library of Balliol College, Oxford. Commissioned b...

For SATB Choir A Cappella. Text: Francis Thompson. Premiere: St Paul's Cathedral Choir under the direction of John Scott, July 1994.

Peter Maxwell Davies' 1994 work for unaccompanied SATB choir, using text from George Mackay Brown's 1971 poem A Hoy Calendar. A girdle round the year in five minutes. In twelve clear, simple images Ge...

This is a wonderful work for unaccompanied SATB choir, to be sung with enormous intensity and sonority. First performed in June 1998 by the Chester Cathedral Choir conducted by David Poulter. This is...

Dear Willoughby was written for the memorial service of Willoughby Pountney in 1998. The Nailsea Choral Society were conducted by Tim Donaldson, with Emilia Pountney (soprano) and Roger Sansom (huntin...

Miniature vocal score for two works for unaccompanied SATB choir, Ikon Of The Nativity and O, Do Not Move. Ikon Of The Nativity was first performed in December 1991 by Cappella Nova conducted by Alan...

Il Rozzo Martello for unaccompanied choir SATB, by Peter Maxwell Davies, was commissioned by BBC Radio 3. It was first performed on 14th August 1997 at the Queen Elizabeth Hall, London, by the BBC Sin...

A prominent composer of the 20th Century, this work was written for large mixed choir a cappella. The composer notes that the chorus should consist of at least 120 singers. Miserere was first performe...

A Garland For Linda is an evocative and moving anthology of works for a cappella chorus to commemorate the life of Linda McCartney. Modelled on the precedent of A Garland For The Queen (1953), nine Br...

In Memory was written in memory of Glen Schaefer, and all the departed souls of America. The words come from the Orthodox Funeral Service and from a text by Mother Thekla. For SATB Choir A Cappella. J...

For SATB Choir. Text: W. B Yeats

Commissioned by George Watson's College, to mark the Millennium. The work was first performed in December 2000 at St. Giles Cathedral, Edinburgh, as part of the College's Festival Of Nine Lessons And...