Partituras para Coro mixto (SATB)

Georg Christoph Biller, director del coro de la iglesia de Santo Tomás de Leipzig, se propuso arreglar la pieza instrumental probablemente más popular de su gran predecesor en este cargo: el famoso "A...

Georg Christoph Biller, choirmaster of St. Thomas' Church in Leipzig, set out to arrange the probably most popular instrumental piece of his great predecessor in this position: the famous 'Air' from t...

This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call...

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our ne...

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our ne...

Andreas Pieper's overall artistic aim to 'build a bridge of confidence to the world behind things' with his music can be heard clearly in his setting of Tollite iugum meum. The Latin-language motet fo...

The fact that Pascal Martiné is a real expert in the field of sacred choral music shows once again in the 'Three Motets' for mixed a-cappella choir (SATB) by the Mainz-based composer and (choir) teach...

The Spanish composer Rafael Sánchez Mombiedro set the well-established text 'O Magnum Mysterium' on the Coming of God to music in a new and inspiring way. He plays with dynamics and strange harmonies,...

The work interprets in a sensitive way the effect Pope Frances, who was elected in March 2013, has on people. Based on three Argentine folk songs, the mass with its powerful and quiet parts arouses fe...

Das Liebesgedicht von Lord Byron lebt in dieser Vertonung durch feinste dynamische Unterschiede und sphärische Klänge. Der Komponist arbeitet mit Temposchwankungen und einer sehr expliziten Ausdeutung...

The text of Hildegard von Bingen is interpreted with spherical and archaic sounds. Frictions form and dissolve, harmonies come and go. The piece is particularly suitable for chamber choir, demanding a...

'Daybreak' is a 16th-century love poem set to music by Matthew Brown for four-part chamber choir. Harmonic frictions spice up the tonal image of romantic love.

A quiet, meditative setting of the Charlotte Smith text by the young British composer Christopher W. Evans. Beautiful melodic lines move largely by step and interweave contrapuntally, creating second-...

E. E. Cummings' poem about a bygone love, about despair, indifference to acceptance is set for mixed choir. Brown's music relives the story with hovering and grating sounds, demanding courage to use e...

Zart und filigran wirken die feinen Melismen des vertonten Liebesgedichtes, die sich über herbe und archaisch anmutende Klänge erheben. Sie entführen Hörer und Sänger in die schroffe Landschaft Schott...

The composition 'An Evening Prayer' for four-part mixed a-cappella choir (SATB) by Magdalena Zimmermann is based on a sacred poem by the English Baroque poet and philosopher Thomas Browne. To set thes...

Nino Rota's Mass was composed in Rome in 1962, the very same year when the Second Vatican Council formally opened in 1962, whose fundamental changes regarding the use of liturgical music directly foun...

The mass was composed to be easy to rehearse and accessible music for church services. A notable feature of this mass is the complete absence of accidentals, making it a 'white key mass'. The range fo...

For my composition Cosa devo fare, I was inspired when I read the text accompanying the picture cycle Books of Venice by the Latvian artist Ilmars Blumbergs, who died in 2016. The Books of Venice, con...