Partituras para Coro mixto (SATB)

American blues icon Ruthie Foster released Mama Said on her 2007 recording The Phenomenal Ruthie Foster. The lyrics are a mother ™s advice to her daughter, warning her to -learn how to pray and to -fa...

The Glory Of Our God (Kol' Slaven) by Dmitry Stepanovych Bortniansky arranged by Anthony Antolini for SATB choir unaccompanied.

While having a folk-like feel that suits this familiar text, the musical material is entirely original. This setting features a more pastoral, contemplative tone than more lively settings with which y...

This lyrical setting combines the texts Trinitie Sunday by George Herbert (1633) with Gloria tibi (Glory to you, O Trinity, all equal, one God). A charming refrain which begins the piece alternates wi...

If Ye Love Me was composed as a reflective commentary on the well-known motet by Thomas Tallis (1505 1585). Homophony predominates in the first section but with clusters rather than the traditional ha...

This unusual setting uses a fresh text excerpted from the book, Back to the Ethic: Reclaiming Western Values by Diane Weber Bederman (Mantua Books, 2015). The music is very much a text painting, shift...

Commissioned by a choral society in memory of their beloved accompanist, this is an SATB divisi unaccompanied setting of a poem by Edna St. Vincent Millay. The text remembers a departed friend through...

A choral rendition of Proverbs 22:9.

Madrigals for the Seasons was composed especially for Cappella SF, Ragnar Bohlin, conductor. A Summer's Day is a paean to the glories of summer Images of nature are illuminated, climaxing in the splen...

Madrigals for the Seasons was composed especially for Cappella SF, Ragnar Bohlin, conductor. John Clare's poem Autumn conjures up vivid images of this season: the fading of summer flowers, the colors...

A traditional motet based on Matthew 5:16. The text is in Latin with a brief English statement of the text featured in the soprano solo.

Set on the poem 'Sunset Symphony' by Texas-based author Nathan Brown. Without words, the beginning of Brown's poem consists of a series of ellipses set in an almost pointillistic manner, with pulsatin...