Partituras para Coro mixto (SATB)

A Gaelic Blessing was written for Louth Choral Society and uses a text written by William Sharp (under his pseudonym Fiona Macleod) and adapted by John Rutter for his 1978 piece, also called A Gaelic...

Setting an original text by Grahame Davies this three and a half minute choral work was composed for Apollo5, the Ozark Festival Singers and High Point University Chamber Singers, North Carolina.

Una pieza coral a capella de cuatro minutos para la Epifanía encargada por el Dr. Colin Podmore para conmemorar su año como Maestro de la Worshipful Company of Parish Clerks (2024-25). Estrenada en el...

In primim non nocere' de Paul Mealor es una obra de 5 minutos para SATB divisi dedicada a Lord y Lady Chadlington, interpretada por primera vez por cantantes de la ORA en junio de 2024. El texto es de...

Extraído de The Wonders We Seek Without Us, encargado por el Master, Fellows and Scholars del Pembroke College, Oxford, con motivo del cuatricentenario del College en 2024.Dedicado a la memoria del Dr...

Para el decimoséptimo domingo después de la Trinidad, 'Señor, te rogamos que tu gracia' fue compuesta en 2021 para el Grand Rapids Choir of Men & Boys, y su director asociado, Matthew Owens.

For SATB Choir A Cappella.

For unaccompanied chorus. Duration: 2 minutes.

For SATB Choir A Cappella.

Setting of the text by Richard Verstegan for SATB Choir a cappella.

A setting of Cardinal Newman's text, for SATB Choir a cappella.

A beautiful setting of the 7th century text in English with overlapping 5/8 and 6/8 metre. For SATB Choir a cappella.

Midnight by Thea Musgrave was commissioned by Laura Lane & the Nova Singers for the American Choral Directors National Convention in San Antonio, Texas, March 4th 1993. Set to text by John Keats. Scor...

For SATB Choir A Cappella. Words from 'Songs of the Chase'.

Scottish Folk-song arranged for SATB Choir A Cappella. Poem by Robert Burns.

Rosy May is a Scottish folk tune, beautifully arranged by composer Edgar Bainton for unaccompanied SATB chorus, featuring words by Robert Burns.

The vocal score for The Golden Skein, composed by Edgar Bainton with words by poet William Blake. The work is scored for unaccompanied SATB chorus.

Hail, True Body (Ave Verum) by Guy Weitz for unaccompanied SATB choir.

O Come Quickly, Sweetest Lord is a composition by J. Philip Marshall that sets words by poet Thomas Campian for Unaccompanied SATB chorus.

Sleep Secure is a work for Unaccompanied SATB chorus by Gordon Jacob, featuring words by King Charles I.

For SATB Choir A Cappella. Rehearsal Reduction provided.

The Rose-Bud is composer William Cole's setting of William Browne's poem for unaccompanied SATB chorus.

The Constant Lover is an unaccompanied part-song for SATB Chorus by William Cole, with words by prominent English Cavalier poet Sir John Suckling.

Bruce Montgomery's I Loved A Lass is a setting of words by George Wither for Unaccompanied SATB chorus.