Partituras para Coro mixto (SATB)

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Ärgre dich, o Seele, nicht' BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both were composed in Advent 1716 as Bach'...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

Cuando Wolfgang Amadeus Mozart regresó a Salzburgo de su viaje a París en enero de 1779, la única obra de música sacra que llevaba en su equipaje era un Kyrie inacabado en mi bemol mayor (K. 296a) jun...

> Festive cantata based on the Urtext of the New Bach Edition > With a duration of 20-25 minutesWith his cantata Meine Seel erhebt den Herren which Bach composed for the Visitation of Mary (2 July),...

What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...