Partituras para Voz y piano: Clásico, Pop y Jazz

Musique Religieuse - Motets Et Chants Religieux Paroles Latines

für hohe Stimme und Orgel (Klavier)

Leroy Osmon presents Acquainted with the Night for Contralto, Cello and Harp (or Piano), with text by Robert Frost.

Arranged here for solo low voice and piano or organ, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment....

With an alternating 2/4 and 3/4 time signature, this lilting melody is simple but charming, supported by a delicate piano part. Also available in a version for solo high voice and piano or organ.

Scored here for low voice and piano or organ, this meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich text...

Scored for low voice and piano or organ, this is a charming setting of the well-known Psalm in Chilcott's signature style. The melodies flow gently in three, exuding calmness and expression, underpinn...

This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer's Lux Perpetua, a choral work on the t...

An easy anthem for low voice and piano or organ, this piece has a haunting simplicity with a flowing tune over a gently rocking accompaniment. Also available in a version for solo high voice.

Arranged here for solo low voice and piano or organ, this lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any conc...

Scored for low voice and piano or organ, this folk-inspired melody is gentle and free-flowing, perfectly suited to the natural imagery found in the Lowry's popular poem. Also available in a version fo...

Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.

A setting of the poem written by Daniel Twohig. Arranged for alto and baritone by Kenneth Downing.