Partituras para Voz y piano: Clásico, Pop y Jazz

For SSA, soprano solo, and piano. A gentle lilting lullaby with a rippling accompaniment of South American flavour. This setting has strong rich harmonies, and a real sense of joy.

These three folk songs in a charming instrumentation were composed by Vasks 30 years ago. The texts describe nature's flora and fauna, the hard work of mankind and the thoughts of a newlywed woman. Va...

A spirited arrangement (for SSA and keyboard) of a lesser known, but likable, spiritualMedium difficulty, for secondary level and above

Este nuevo arreglo de la emocionante Soulful Singing Choral Series de Kevin Phillip Johnson es cautivador a la vez que accesible para el coro de tres partes aspirante. Con varias oportunidades para pr...

Chor, Sopran solo, Knabenchor, Orchester

Building on the success of his SSA arrangement of this Ladino folk classic, it just so happens that J. A. Kawarsky has a TTBB version for male choirs who felt left out of this enjoyable setting. For t...

Welcome back this rousing patriotic/sacred standard. One of our perennial best-sellers, Battle Hymn of the Republic is available with an orchestration from Brant Adams that will offer expanded perform...

For Solo Tenor, Male Voice Choir and Piano.

A lively and rhythmic setting of this ancient text in Hebrew and English. The form is strophic, with music featuring syncopations and alternating time signatures. The front matter of the edition inclu...

Touching the Infinite Sky is a choral adaptation (for Men's Chorus with Tenor Soloist) of the composer's solo song cycle, Songs from the High Sierra, for High Voice and Piano. The original songs were...

Carol for Baritone Solo, Male Voice Chorus and Piano.

Brahms wrote the Alto Rhapsody, Op 53, for contralto, male chorus, and orchestra in 1869 as a wedding gift for the daughter of Robert and Clara Schumann. The Rhapsody is a setting of verses from Goeth...

John the Slacker is a great example of a song sailors would sing, adopting words and phrases heard from various lands they visited. A great piece to introduce to young TB singers!

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase “Gloria in Londinium, invictus, invicta” to symbolize the co...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...