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In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...

Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduar...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The in...

As a child, I sometimes closed my eyes for an extended period of time and imagined what it would be like to experience the world exclusively through my ears. In doing this exercise, I found over and o...

Für Singstimme (hoch) und Klaviertrio Nach den Skizzen ergänzt und für Singstimme (hoch) und Klaviertrio eingerichtet von Hans Fuhlbom und Klaus Simon (2012) Text vom Komponisten

Text von Peter Sloterdijk Partitur und Stimmen - deutsch Auch nach ihrer Beendigung lassen mich die Schlusszeilen des Skorpionmenschen aus meiner Babylon-Oper nicht los: er tötet die Illusion in sich...

Returning from Majorca one autumn evening, composer Harald Weiss met poet Maria Bögel at a defective ticket machine at the airport metro station in Hanover. The malfunctioning equipment brought them t...

Aribert Reimann's idea to arrange the lieder of Franz Liszt for baritone and string quartet goes back to his collaboration with Dietrich Fischer-Dieskau, recording some of these lieder for the German...

Sopran, gemischter Chor (SATB), Blockflöten, Blechbläser, Pauken und Orgel - deutsch

Stimmensatz - Orgel, Percussion und Pauke (2 Spieler) Besetzung: gemischter Chor (SAATB), Orgel, Percussion (2 Tom Toms, Triangel, Röhrenglocken) und Pauke (2 Spieler) - deutsch Albrecht Haaf ging ber...

In diesem Heft finden Sie 18 fantasievolle Arrangements für den flexiblen Einsatz im Ensemble Kunterbunt sowie im (Schul-)Orchester. Sie sind für ein Zusammenspiel aller im Programm 'Jedem Kind ein In...

Theodor Kirchner (1823-1903) began composing at a very early age, initially receiving great support from Felix Mendelssohn and Robert Schumann and subsequently from Clara Schumann and Johannes Brahms....

Schumann's dream journey invites the listener on a hovering flight towards death. It is a window into his life which was often characterised by pain and longing. The inner conflict is revealed by the...

This setting of seven hymns from the Saraknoc (collection of Armenian liturgical chants) in an experimental composition that uses quarter-tone motifs and free metre is a demanding and impressive work...

This setting of seven hymns from the Saraknoc (collection of Armenian liturgical chants) in an experimental composition that uses quarter-tone motifs and free metre is a demanding and impressive work...

This concerto follows the structure of the Italian overture - fast, slow, fast. The first movement is a sonata form without development, based on three themes, rhythmical, oriental, waltz respectively...