Partituras para coro de Barbershop

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed...

I am the gentle light by Paul Mealor is dedicated to Christopher Bell and the National Youth Choir of Scotland's National Boys Choir and was premiered by them on BBC One's Songs of Praise on St Andrew...

Innocence and Experience takes its texts from Songs of Innocence and of Experience, an illustrated collection of poems by William Blake, which was first published in two volumes in 1789 and 1794. Each...

I am the gentle light by Paul Mealor is dedicated to Christopher Bell and the National Youth Choir of Scotland's National Boys Choir and was premiered by them on BBC One's Songs of Praise on St Andrew...

The 15th century text, Adam Lay Ybounden, has here been set for SSA choir with Piano accompaniment by Michael Hurd. Originally published in Merrily on High (NOV032121).

Say, Where Is He Born? From Christus By Felix Mendelssohn For Ssa Chorus And Organ (Or Piano).

A Welsh Prayer is a setting of a poem by Grahame Davis for SATB Choir and two Harps composed by Paul Mealor. A Welsh Prayer was commissioned by Holywell Music and the North Wales International Music...

Great God, And Just is a Penitential Hymn by Henry Purcell, scored for Voice, 3-Part Mixed Choir, Basso Continuo and Organ (or Harpsichord) Accompaniment. The work is a setting of text by Jeremy Taylo...

Hear My Voice, O Lord is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment. A setting of words from Psalm 27, the piece lasts around 2 minutes.

Blest Are The Pure In Heart is a work by Alan Bullard for 2-Part Choir and Piano or Organ Accompaniment. A setting of a poem by John Keble, after whom the Oxford college is named, the piece lasts arou...

O Salutaris Hostia is a work by David Terry for Unison Voices and Organ Accompaniment (with optional Descant). A setting of a poem in Latin by Edward Caswall, a performance lasts around 2 minutes.

Weigh My Heart' is a work by Rupert Jeffcoat for 2-Part Choir and Organ Accompaniment that sets words from Psalm 17.

Adiuva Nos, Deus Salutaris Noster is a work by Daniel Rollison for Upper Voices and Organ Accompaniment. A setting of Psalm 78:9 in Vulgate, the piece was premiered on 13th February 2016 at St Peter's...

A Thin Place is a work by Jonathan Wikeley for Upper Voices and optional Organ Accompaniment

Giles Swayne's Alleluia. Set of instrumental parts for Harp, Piano and Percussion (3 players).

A lively, rhythmic setting of the evening canticles, written for the Southern Cathedrals festival. It's one of those pieces that's difficult to shake from your mind once you've sung it.

Commissioned by The Gabrieli Consort and first performed on 8 June 2017 in St John's Smith Square, London, conducted by Paul McCreesh.

The Wells Service' for mixed voices and organ accompaniment was first performed at Choral Evensong during the new music wells 68-08 festival on Friday 13th June 2008, by the Girl Choristers of Wells C...

The Wells Reponses' for upper voices and organ accompaniment were first performed at Choral Evensong during the new music wells 68-08 festival on Friday 13th June 2008, by the Girl Choristers of Wells...

Nocturns' was written in 1990 and takes its title from one of the divisions of the old Church Office of Matins. The texts from Herrick, Lamb and anonymous medieval verse, are linked to form a fleeting...

An extended work for choir and organ by 'Britain's greatest living composer of Art Song' (Musical Opinion) and 'a song composer as fine as Finzi and Gurney' (BBC Music Magazine). The work was premiere...

Outcry is a protest against the maltreatment of the animal kingdom by man, expressed through settings of poems by William Blake (1757-1827), Thomas Hardy (1840-1928) and John Clare (1797-1864). It was...

This cantata, one of Coleridge-Taylor's final works written in 1911, sets the oriental poems of his good friend Alfred Noyes. The work was premiered in 1911 conducted by Arthur Fagge.