Partituras para coro mixto con órgano

For SATB choir, solo trumpet, and organ - Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary and first performed at the United Guilds Service in St Paul's Cath...

For SATB choir, solo trumpet, and organ - Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary and first performed at the United Guilds Service in St Paul's Cath...

Written for St Cecilia's Day 1694, Purcell's popular Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blo...

Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy, it f...

The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines, idiomatic organ part, and colourful harmonies make this an ideal work for choirs looking for a...

For soloists, SATB, and organ Written for the Choir of Wells Cathedral, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the E...

This poignant anthem was written in memory of the Revd Dr John Hughes (1978-2014), Dean of Jesus College, Cambridge. The text combines the nineteenth-century poet and Christian minister George MacDona...

In this version of the popular English hymn, Rutter adorns the well-known melody with an opening fanfare and soaring descant line over the final verse. Full scores and sets of parts for the brass ense...

for SATB, congregation, and organ/brass

For SATB, congregation, and organ or brass choir. Rutter's arrangement of the hymn O God, Our Help in Ages Past uses the hymn tune St. Anne to great effect. The verses alternate between choir alone an...

For SATB, congregation, and organ. An arrangement of Martin Luther's popular hymn Ein feste Burg, with the English translation by F.H. Hedge. Rutter arranges verses 1, 3, and 4, using J.S. Bach's harm...

for SATB, congregation, and organ

for SATB, congregation, & organ

An arrangement of the Passiontide hymn 'When I survey the wondrous cross', set to the tune Rockingham, with which these words have long been associated. Part of the Cambridge Singers Hymn series, it i...

For SATB double choir, organ, brass, timpani, and percussion. In this rousing anthem for double choir, Rutter uses frequent time signature changes to breathe new life into Psalm 148. This anthem forms...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Faure's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Fauré's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary, this impressive and stately setting of verses from Psalm 90 culminates in a jubilant, maestoso final sectio...

The King shall rejoice was commissioned by Westminster Cathedral to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott e...

This poignant anthem combines the nineteenth-century poet and Christian minister George MacDonald's emotive poem Lost and Found with the 'In paradisum' antiphon from the Burial Service. An orchestrati...

An arrangement of the Passiontide hymn When I survey the wondrous cross, set to the tune Rockingham, with which these words have long been associated. Part of the Cambridge Singers Hymn series, it is...

In this rousing anthem for double choir, Rutter uses frequent time signature changes to breathe new life into Psalm 148. This anthem forms the conclusion to John Rutter's Psalmfest, for which scores a...

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...