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Immerse yourself in the sonorous world of sacred choral music with the moving piece "Tropar an die Heilige Mutter Gottes" (Troparion to the Holy Mother of God). Published by the renowned Carus-Verlag,...
Immerse yourself in the sonorous world of sacred choral music with the moving piece "Tropar an die Heilige Mutter Gottes" (Troparion to the Holy Mother of God). Published by the renowned Carus-Verlag,...
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Experience an inspiring and sonorous choral work with "Trinity Halleluja," a piece that brilliantly combines solemn praise with musical radiance. Scored for mixed choir (SATB), it unfolds an impressiv...
Experience an inspiring and sonorous choral work with "Trinity Halleluja," a piece that brilliantly combines solemn praise with musical radiance. Scored for mixed choir (SATB), it unfolds an impressiv...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...
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Wolfram Buchenberg structured his setting of the Veni creator Spiritus as an urgent and powerful invitation to the creative spirit. The frequent reprises of this line of text, like a motto, are contra...
Wolfram Buchenberg structured his setting of the Veni creator Spiritus as an urgent and powerful invitation to the creative spirit. The frequent reprises of this line of text, like a motto, are contra...
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Das 16-stimmige Tombeau de Josquin Desprez, dessen Text auf die Inschrift der Grabplatte in St. Gudula, Brüssel, zurückgeht, ist eine Auseinandersetzung mit der Polyphonie Josquins. In seinem Verlauf...
Das 16-stimmige Tombeau de Josquin Desprez, dessen Text auf die Inschrift der Grabplatte in St. Gudula, Brüssel, zurückgeht, ist eine Auseinandersetzung mit der Polyphonie Josquins. In seinem Verlauf...
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Dum medium silentium, which sets a text from the Book of Wisdom, celebrates stillness as a prerequisite for the birth of God's word both in the world and in the human soul. With its composed dissolvin...
Dum medium silentium, which sets a text from the Book of Wisdom, celebrates stillness as a prerequisite for the birth of God's word both in the world and in the human soul. With its composed dissolvin...
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O sing unto the Lord a new song! – With "Cantate Domino", the renowned Carus-Verlag presents a powerful and festive choral work that brings brilliance to any performance. Set for a six-part mixed choi...
O sing unto the Lord a new song! – With "Cantate Domino", the renowned Carus-Verlag presents a powerful and festive choral work that brings brilliance to any performance. Set for a six-part mixed choi...
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Gloriosa dicta sunt is a sublime setting of the Communio for the Solemnity of the Immaculate Conception of the Blessed Virgin Mary on December 8th. Composed for four-part mixed choir (SATB), this fest...
Gloriosa dicta sunt is a sublime setting of the Communio for the Solemnity of the Immaculate Conception of the Blessed Virgin Mary on December 8th. Composed for four-part mixed choir (SATB), this fest...
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Immerse yourself in the deeply moving soundscape of the Passion season: "Tenebrae factae sunt" is a poignant responsory for the Matins of Good Friday. This masterpiece of sacred choral music captures...
Immerse yourself in the deeply moving soundscape of the Passion season: "Tenebrae factae sunt" is a poignant responsory for the Matins of Good Friday. This masterpiece of sacred choral music captures...
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Die reizvolle Motette für Chor a cappella beginnt mit einer ruhigen ostinaten Basslinie, zu welcher die anderen Stimmen nach und nach hinzutreten, bis das eingängige Thema erstmals im Alt, zusammen mi...
Die reizvolle Motette für Chor a cappella beginnt mit einer ruhigen ostinaten Basslinie, zu welcher die anderen Stimmen nach und nach hinzutreten, bis das eingängige Thema erstmals im Alt, zusammen mi...
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The 'Missa romana' is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and L...
The 'Missa romana' is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and L...
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